DJ Khaled has been announced as the headliner for the Big 12 Basketball Tournament Afterparty.   Presented by Venmo, the concert will be held at KC Live! in the Power & Light District on Saturday, March 14, after the Men’s Championship game at T-Mobile Center. The performance will be DJ Khaled’s first-ever performance in Kansas City. The concert will be free of charge for all attendees in celebration of two weeks of basketball in Kansas City. In a statement, DJ Khaled shared his excitement about the upcoming performance. “The Big 12 Tournament is one of the biggest and best. I’m looking forward to bringing that energy to the Tournament After Party with a performance and connecting with the fans,” Khaled said. “Young world, the world is yours – you are now and you are the future! Keep going! WE THE BEST!”  View this post on Instagram Tyrel Kirkham, Chief Brand and Business Officer for the Big 12, lauded Khaled’s artistry.  “We are continually investing in ways to elevate the Big 12 Basketball Tournaments and deliver an unforgettable experience for our fans,” said Kirkham. DJ Khaled is performing in KC for the first time “DJ Khaled is an incredible performer, and we know he will put on a high-energy show. From elite competition on the court to world-class entertainment off it, our goal is to create a championship atmosphere that blends sports and culture in a way only the Big 12 can. Kansas City has been an outstanding partner in helping us bring that vision to life.” The Big 12 women’s tournament will start March 4 and end on either March 8 or 9. The men’s tourney is March 10-14. THE TOURNAMENT IS ALREADY FILLED WITH DRAMA  Earlier this morning, No. 5 Iowa State defeated No. 4 Texas Tech 75–53 to secure the first spot in the semifinals. The remaining quarterfinal matchups feature top-seeded Arizona taking on UCF, followed by No. 2 Houston vs. BYU and No. 3 Kansas vs. TCU in the night session.  Meanwhile, the Women’s Big 12 Tournament concluded this past Sunday, with West Virginia capturing its second-ever title after an impressive 62–53 upset over top-seeded TCU.

Boosie Badazz has reignited discussion online over the decisions some rappers make while behind bars, particularly regarding protective custody. In a pointed video targeting Kodak Black, the Louisiana rapper declared, “You checked PC, my n****. Nothing you rap is valid anymore, bro. Nothing you rap is valid.” In response, Kodak highlighted a list of peers who reportedly declined protective custody, including Young Thug, prompting the Atlanta artist to weigh in. Speaking with No Jumper, Young Thug offered a pragmatic view of the risks, saying, “Pc is smarter tho. That hard sht get u nun but heartaches from your family and kids and more charges if it’s to much goin on in the dorms.” Boosie fired back quickly, accusing Thugger of hypocrisy: “THUGGER IF ITS SMARTER TO CHECK PC WHY U AINT CHECK PC? CAUSE U CANT CHECK PC IF U SAY YOU U A REAL N***. U FROM THE TRENCHES U KNOW HOW THIS SHT GO BRA. U CHECK PC U A COWARD. Simple is that. KEEP DAT SHT A 100. I FEEL LIKE U PICKING SIDES smh DONT SAVE NO N**** LETEM DROWN. YALL KNOW WHAT WE SIGNED UP FOR.” As for Boosie, his outspoken nature keeps him at the center of rap controversies. View this post on Instagram Ralo vs. Young Thug: Prison Feud Ralo also added his perspective on Young Thug’s prison record, emphasizing resilience: “Thug ain’t went to not one federal prison yard. He had that weak as trial and now he think he Escobar. Imagine being called a rat and still walked every yard with my chess out.” Thug responded directly to Ralo, offering context for his choices: “Ralo stfu. U right og, im just saying someof us the police hate and cant wait to put charges on n****s for anything so it’s a case by case situation, but if you acting gangtsa stand on whateva comes with it fasho u overly right but I am to cause the police hated me frfr they tried everything.” To clarify, Boosie remains a pivotal figure in these heated exchanges. The back-and-forth builds on Boosie’s ongoing tension with Kodak Black, which flared over the weekend during a livestream. Their rivalry, simmering for years, escalated in 2023 after Kodak collaborated with 6ix9ine—a move that offended Boosie due to past snitching allegations linked to the Nine Trey Bloods case. Consequently, the drama continues to revolve around Boosie in the hip hop scene.

Drake appears poised for a major comeback, teasing his ninth solo album, Iceman, with hints that suggest more than a typical release. On March 11, he shared a series of enigmatic Instagram Stories. These included a selfie in a cream bubble vest, a model in a tee reading “I Support Women’s Rights & Wrongs,” and a repost of a masked figure captioned, “This comeback is personal, it’s an apology to myself.” Each image has fueled speculation about the album’s tone. Additionally, they raised questions about Drake’s intentions. Earlier this month, the rapper provided additional glimpses in an Instagram carousel. He juxtaposed images of music icon Cher, his father Dennis Graham, and the phrase, “Talk Is Cheap.” Iceman will follow 2023’s solo release, For All the Dogs. Last year’s collaborative LP with PARTYNEXTDOOR, $ome $exy $ongs, also precedes the new album. This signals a continued balance of personal reflection and experimentation. Drake has also previewed material during livestreams, with clips shared by commentator Akademiks hinting at themes of betrayal. “Fuck them haters,” he rapped in one snippet. Later, he added, “Even my label, gave ’em 15 years of my soul,” calling out “double agents” in his inner circle. These moments suggest the album may wrestle with both personal and professional tensions. Drake Blends Introspection and Spectacle in ‘Iceman’ In a November interview with Complex, Drake elaborated on how he is approaching album releases differently. “I think I am always capable of recognizing when things are shifting and not being weirdly affected by it, not being jealous, not being thirsty, just finding how I can shine light or co-exist or make it a part of our ecosystem,” he explained. He further described his livestream experimentation: “How high can the quality get? How many cameras can we get to go live at once? 12? 13? 14? Can we get a drone shot to go live? We just started getting unhinged with the requests because we wanted to push it as far as possible.” With these hints, Iceman promises a project that blends introspection, spectacle, and ambition. This suggests a return that is as much about Drake’s personal journey as it is about music.

Justin Johnson, one of three men charged in the 2021 murder of Young Dolph, will remain behind bars for life after the Tennessee Court of Criminal Appeals upheld his 2024 conviction. The ruling, issued alongside Judge Matthew J. Wilson, confirmed Johnson’s guilt on charges of premeditated first-degree murder, conspiracy to commit first-degree murder, and possession of a firearm as a convicted felon, according to Fox 13 Memphis. Johnson’s appeal argued four main points, but the court dismissed each. He first challenged the sufficiency of the evidence against him. The appeals panel reaffirmed the jury’s verdict, pointing to surveillance footage of the shooting, extensive cell phone records, and video tracking Johnson’s movements around the time of the incident. Testimony from Cornelius Smith, who admitted to assisting Johnson, also played a key role in the jury’s decision. Another issue involved two photographs of Young Dolph’s body presented to the jury. The court deemed the images admissible, finding they did not unduly sway the outcome. Johnson also contested his seating behind defense attorneys during trial, arranged for security reasons. The judges ruled this precaution appropriate given the case’s high-profile and sensitive nature. Court Upholds Verdict as Case Advances with Cooperating Witness Finally, Johnson challenged a prosecutor’s comment in closing arguments referencing a witness who did not testify. The appellate court dismissed this, noting that his attorneys had not objected during the trial. As the court emphasized, “the evidence of defendant’s guilt was overwhelming, and the prosecutor’s comments were brief.” The decision comes as Cornelius Smith continues cooperating with prosecutors under a plea agreement. His initial guilty plea, expected last month, was rescheduled for March 30 to accommodate logistical arrangements within the Tennessee Department of Corrections, leaving ongoing developments in the case as authorities prepare for the next steps.

For much of his career, Papoose has built a reputation on directness. The Brooklyn lyricist is widely known for meeting challenges head-on. This is particularly true within hip-hop’s tradition of lyrical sparring. That posture has again drawn attention as friction with 50 Cent continues to ripple across the rap world. In recent weeks, the Queens-born artist has been at the center of a series of public disputes. These have involved several high-profile peers. Among those exchanges was a widely discussed back-and-forth with T.I. This disagreement circulated online for days and generated commentary across music media. Not long after, additional artists—including Maino, Dave East, and Jim Jones—became part of the wider conversation. The situation escalated when Maino released a diss track earlier in the day. As a result, the rivalry returned squarely to the musical arena. In hip-hop’s competitive culture, those kinds of releases often invite further responses. Papoose reignites the feud; fans eye 50 Cent’s response Papoose’s answer arrived with a newly released track titled “Agent Provocateur.” The song opens with pointed claims, including lines that question the long-repeated story about how many times 50 Cent was shot. Later in the record, Papoose also suggests the rapper has drawn heavily from the style and legacy of Tupac Shakur. Delivered across nearly five minutes, the record leans on sharp phrasing and deliberate pacing. It relies on those rather than spectacle. The diss track quickly drew attention among listeners who follow rap rivalries closely. Some fans have begun debating whether the Queens mogul will respond through music or continue addressing critics primarily online. While it remains unclear how 50 Cent will react, the release places the focus squarely on lyrical competition. Within New York hip-hop circles, Papoose has long been regarded as a lyricist’s lyricist. He is an MC whose reputation is tied to the craft itself.

A jury has determined that Kanye West must pay $140,000 to a former employee over disputes tied to renovations at his former Malibu mansion. The case centers on Tony Saxton, who said he was hired as a project manager during the extensive work on West’s oceanfront property. Saxton alleged the conditions were unsafe. He also claimed he was dismissed after only a few weeks on the job. Court filings indicate that Saxton was brought in to help oversee work on the multimillion-dollar home. However, he received just one paycheck before his termination roughly seven weeks later. He initially sought more than $1.7 million in damages, citing lost wages and medical expenses tied to the alleged hazards. After reviewing testimony, jurors found West responsible for a portion of the claims. Ultimately, they awarded far less than Saxton had requested. The final judgment requires West to cover about $140,000 in unpaid wages and medical costs. West’s Limited Recall Marks End of Malibu Renovation Dispute West testified during the proceedings, acknowledging that he had limited recollection of Saxton or the circumstances surrounding his hiring. He reportedly expressed uncertainty about who formally brought Saxton onto the project. His wife, Bianca Censori, also appeared in court. She explained that while she interacted with Saxton during the renovation, their time working together was brief. The verdict closes a contentious chapter in the saga of West’s Malibu property. It highlights the legal and logistical challenges that can arise during large-scale celebrity construction projects. Though the ruling resolves this particular dispute, it also provides a glimpse into the complex dynamics of managing high-profile real estate renovations.

Earlier this week, Eminem’s maternal grandmother, Betty, passed away at her home in Missouri, according to TMZ. She had been battling complications from breast cancer, and the rapper was reportedly not present during her final moments. Their relationship, marked by both love and tension, had long been complicated. In a 2000 interview with London’s Mirror, Betty spoke candidly about her discomfort with Eminem’s explicit lyrics. “When I hear his vile disgusting lyrics I can’t believe this is my Marshall,” she said. “The same boy who used to come and sit on my lap.” Yet she contextualized his work within the broader music landscape. “He’s no worse than the rest of them. I don’t like some of the lyrics myself, but this is what the people want to hear,” she explained. “If they’re going to criticise my grandson, criticise the rest of them. What about Limp Bizkit? And Ozzy Osbourne, who used to eat live bats on stage.” Betty lamented the scrutiny directed at her grandson: “They seem to be singling my grandson out. They’re picking on him.” Despite their disagreements, she conveyed deep affection: “He’s my first grandchild, I was there then he opened his eyes, I love that boy. I want to stop this war between us because life’s too short – I want him to hang in there, because everything’s going to be okay.” Eminem Faces Family Loss a Year After Becoming a Grandfather Eminem has not yet publicly commented on her passing. The news comes almost a year after he became a grandfather, following the birth of his daughter Hailie Jade’s son, Elliot Marshall McClintock, last April. Hailie’s pregnancy was revealed in Eminem’s October 2024 music video for “Temporary.” The track contains lyrics addressed to her, crafted as a message she might one day hear, blending personal reflection with his enduring connection to family and legacy.

Brooklyn rapper Maino has fired back at 50 Cent with a new diss track titled “Bleed Like Us,” adding fuel to the ongoing tension between the two New York artists. The song arrives shortly after 50 Cent released a track and video alongside Max B, where he appeared to take jabs at several rappers, including Maino. View this post on Instagram The Brooklyn MC takes direct shots at the G-Unit mogul, referencing 50 Cent’s past controversies, personal history, and his well-known habit of trolling rivals on social media. The track’s title appears to echo themes of vulnerability and rivalry, suggesting that even hip-hop’s most powerful figures are not untouchable. The diss comes as tensions between the two have been brewing online for months. Much of the back-and-forth has played out on social media, where 50 Cent frequently comments on industry drama and publicly calls out other artists. Maino’s response marks a shift from online exchanges to a lyrical confrontation. 50 hasn’t respond to the diss track as of yet. View this post on Instagram

Along the Malibu shoreline, Dr. Dre has quietly closed the sale of a long-held beachfront property, marking the end of a chapter that stretches back more than two decades. Public real estate records indicate the home changed hands on March 3 for $16.5 million. The producer originally bought the property in 2000 for $4.8 million, making the sale a substantial return on the investment. The house had previously appeared on the market in 2022 with an asking price of $20 million, according to Zillow. The transaction reflects the continued strength of Malibu’s luxury housing market. The residence sits along Carbon Beach, a stretch of coastline sometimes referred to as “Billionaire’s Beach.” Spread across three levels, the property was designed to take full advantage of its oceanfront setting. The layout includes six bedrooms and seven bathrooms, along with spaces intended for both work and recreation. Among the amenities are a private gym, a studio, a large deck overlooking the Pacific, and a home office. Additional features include a wood-burning fireplace, a sauna, and several areas designed for entertaining guests. The home sale surfaced at roughly the same moment that Dr. Dre reached a notable financial benchmark. Forbes released its updated ranking of the world’s wealthiest individuals on March 10, and the producer appeared on the list for the first time. The publication estimated his net worth at $1 billion, placing him at No. 3,332 globally. The ranking reflects the breadth of Dre’s career, which spans decades in music as well as ventures in technology and business. A Billion-Dollar Legacy — and New Music Still in the Works Within hip-hop, that figure places him among the genre’s wealthiest figures, behind Jay-Z, who remains the richest artist in the field. The Forbes list includes only a small number of musicians overall, with Beyoncé also appearing among the names. Much of Dre’s fortune is tied to his recording legacy, entrepreneurial ventures such as his influential headphone brand, and a portfolio of investments that extends beyond music. Industry observers often point to those ventures as evidence of how artists have expanded into broader business arenas. Even with those milestones, Dre’s focus on music continues. Moreover, T.I. recently spoke about an upcoming collaboration while discussing new projects with AllHipHop. “Dr. Dre blessed me with a record,” T.I. said. “It happens to have Anderson .Paak on it and a young lady by the name of Stallone. It’s a dope record. It’s called ‘Where I’m From.’ Dope record.”

Music mogul Ye issued a blunt message to the press this week, telling media outlets that the time has come to fully recognize his legal name. The advisory arrived March 10, shortly after Ye delivered nearly three hours of testimony in a workplace violations lawsuit filed by former employee Tony Saxon during a hearing at the Los Angeles County Superior Court. The memo reads as a call-out to the media companies that still refer to the rapper by his former name. Ye reminded outlets that his identity change was announced years ago and formally approved by a California court. “MEDIA ADVISORY IT HAS BEEN SEVEN YEARS SINCE THE ARTIST FORMERLY KNOWN AS KANYE WEST ANNOUNCED THAT HENCEFORWARD HIS NAME WOULD BE YE,” the statement says. Ye got tired of people still calling him Kanye and put out this media statement after court. pic.twitter.com/aZq2mZBtou — Sneaker Legal® | Trademark & IP Lawyers (@SneakerLegal) March 11, 2026 Ye legally changed his name from Kanye West to Ye in 2021. His team argues that the media ecosystem has had plenty of time to update credits, archives, and databases. “THIS IS MORE THAN ENOUGH TIME FOR MEDIA COMPANIES, SEARCH ENGINES, RECORD LABELS, DSPS, RETAILERS, LYRICS WEBSITES, PUBLISHERS AND OTHERS TO UPDATE THEIR RECORDS AND SYSTEMS TO TAKE ACCOUNT OF THE CHANGE,” the memo continues. The statement also frames the issue as one tied to identity and respect. Ye’s representatives emphasize the artist’s global visibility and say the name change should be treated as permanent. Ye To The Media: “Stop Calling Me Kanye West” “YE IS ONE OF THE MOST RECOGNIZABLE PEOPLE IN THE WORLD, ON PAR WITH PRESIDENTS AND POPES. THIS CHANGE WAS MADE FULLY, LEGALLY, AND PERMANENTLY. THIS IS WHO HE IS NOW. HIS NAME IS YE.” The advisory ends with a warning directed at outlets that continue using his former name. Representatives for Yeezy LLC say cooperation may end if the directive is ignored. “YEEZY LLC WILL NO LONGER CO-OPERATE WITH OR PROVIDE COMMENT OR CONFIRMATION TO MEDIA OUTLETS THAT REFUSE TO USE HIS LEGAL NAME,” the memo states. He continued: “A DELIBERATE AFFRONT, A RACIST OFFENSE AND A DENIAL OF YE’S AGENCY AND SELF-DETERMINATION.” The message signals a stricter media policy from Ye’s camp as the artist navigates both legal scrutiny and public perception.