Diddy, despite serving out a 50-month sentence at Fort Dix, received the best Christmas gift of all: a visit from his son Justin Combs. The Bad Boy CEO is currently serving time for violating two counts of the Mann Act. TMZ spoke with a rep from Diddy’s team, Juda Engelmayer. According to them, the pair simply spent the time catching up. They also allegedly discussed how to “manage life in this time, to pray, appreciate loved ones, and reflect on the past.” Engelmayer also told the outlet that following the visit, Diddy “continued his introspection” with a few fellow inmates during a private mass. Justin Combs is the second-eldest child of the now-disgraced mogul. He shares Justin with his ex-partner, Misa Hylton. NEW YORK, NEW YORK – OCTOBER 03: Justin Combs, son of Sean “Diddy” Combs, arrives for his father’s sentencing at Manhattan Federal Court on October 03, 2025, in New York City. (Photo by Michael M. Santiago/Getty Images) Justin Combs Allegedly ‘Banned’ From Renting Homes In LA It seems Justin Combs has been battling his own issues as of late. Back in November 2024, Page Six reported that he’s allegedly banned from renting in Los Angeles. A source told the outlet that the 30-year-old had a reputation for partying. He would often “wreck” the houses he rented. “The company that I work with rented houses to Justin. He would say, ‘I’m having 20 people over.’ But there would be 200, and then they would wreck the house,” a Southern California mansion broker told Page Six. “It’s gotten to the point where nobody will rent to him. He called me to rent, and I said no,” he added. However, the source didn’t provide Page Six with exact details about how Combs mistreated properties. The outlet contacted Combs’ attorney, Jeffrey Lichtman, who completely denied any wrongdoing on his part. “Justin has not been charged with a crime or sued civilly regarding any of these accusations for a reason – he did nothing wrong,” the attorney said.

Diddy is reportedly releasing a docu-series. Zeus Network released a trailer for an upcoming documentary set to air in 2026. View this post on Instagram

A Washington, D.C., landlord filed a $2.8 million lawsuit against supermodel-turned-entrepreneur Tyra Banks and her business partners Friday, alleging they abandoned plans for a flagship ice cream shop after signing a long-term lease.  The civil complaint, filed in U.S. District Court, claims Banks, her ice cream venture Smize & Dream and partner Louis Martin entered a 10-year commercial lease for retail space in the city’s Eastern Market neighborhood in April 2024.  Instead of opening the Washington location, the lawsuit says Banks and her team dropped the project that summer and shifted attention to a Sydney, Australia, shop. Lease Dispute Over Abandoned Storefront Landlord Christopher Powell asserts in the complaint that he signed the lease expecting long-term tenancy and investment in his property. He says he spent months coordinating with the team about build-out plans.  “Although Mr. Powell made repeated good-faith efforts to resolve this matter amicably, he is now left with deep financial loss,” the lawsuit states. Powell is seeking at least $2,831,331, plus interest, legal fees and other costs allowed under the lease. According to the complaint, Banks and Martin vacated the space in June 2024, stopped paying rent and declined further communication about their obligations. Weeks later, the lawsuit says, a Smize & Dream pop-up appeared nearby while the original lease was still in effect. Banks and her legal team have called the lawsuit meritless. In court filings, they argue the lease was signed by School of SMiZE LLC, not the individuals, and contend the plaintiff’s claims are an “opportunistic ploy by Plaintiff to extort money from Defendants.”  The motion to dismiss also states the defendants raised unresolved property deficiencies as a reason for withdrawing from the lease, claims Powell’s complaint calls false. Plans That Never Materialized Banks launched Smize & Dream in recent years, blending premium ice cream with a mission to empower underserved youth through entrepreneurship.  The Washington location was to serve as a flagship and community incubator, but legal records show it never opened. Instead, the company’s first proper shop now operates in Sydney, where Smize & Dream’s “hot ice cream” concept has attracted attention.

Tyler Perry has been hit with another lawsuit from a second accuser, TMZ reports. According to the outlet, Boo! A Madea Halloween actor, Mario Rodriguez, accused Perry of making unwanted sexual advances, including groping, multiple times. On Thursday (Dec.26), Rodriguez filed the suit in a California courtroom listing Perry and Lionsgate Films as the defendants. The model and actor claims he met the director back in 2015, after a gym trainer approached him and offered to connect him with the director. Later that same day, Rodriguez says he and Perry discussed a script he was working on (which ultimately became Boo! A Madea Halloween), as well as a possible role for him. Despite noting he didn’t have acting experience, he says Perry told him, “You know, Mario, I’m not a bad person to know and have in your corner.” In one interaction, Rodriguez claimed that after being invited into Perry’s home, they were drinking and headed down to his home theater. While there, the actor claims Perry “rubbed his shoulders and chest while moaning sexually.” ATLANTA, GEORGIA – NOVEMBER 02: Tyler Perry speaks onstage during the Tyler Perry’s Finding Joy Atlanta screening at Regal Atlantic Station on November 02, 2025, in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Amazon) lawsuit claims Perry made several unwanted advances toward actor Not long after, Rodriguez left. On the other hand, in the lawsuit, he claims Perry was never inappropriate during production. However, once filming wrapped, he says, despite Perry initially inviting him over to discuss future roles, things took a turn, and he asked several sexually charged questions. In another startling allegation, the actor claims Perry, once again, invited him over to discuss career opportunities. Shortly after his arrival, Rodriguez claims that Perry offered him fellatio before trying to reach into his underwear and grab his penis. Following the incident, he claims Perry offered him $5,000 and an apology. There was another occasion where Rodriguez says Perry grabbed his hand and forced him to touch his penis. As he got up to leave, Perry offered him another $5,000. The model and actor are suing for “sexual assault, sexual battery, and emotional distress,” and seeks punitive damages of at least $77,000,000. Perry’s attorney, Alex Shapiro, told TMZ that Rodriguez’s account was nothing more than a “money grab.” He added, “Having recently failed in another matter against Mr. Perry, the very same lawyer has now made yet another demand from more than a decade ago, which will also be a failed money grab.”

It seems that love is in the air for NLE Choppa. On Friday (Dec.26), the rapper officially announced his wedding engagement to his girlfriend, Instagram model and singer Erica Ravén. The rapper decided to share the milestone with fans via his Instagram page. “Now That’s Gangsta ,” he writes in the post’s caption. The lengthy collage post almost gives a walk-through process of the proposal— from snapping a few pictures together and showing off the ring to the moment NLE Choppa gets down on bended knee and pops the question, not a moment was wasted. Rumors swirled about the couple getting together only a few months prior. Back in October, a photo circulated of the two kissing one another, which only fueled further speculation. Not long ago, Choppa reposted an Instagram Story, initially shared by Ravén, of them locking lips once again, though neither party addressed their situation publicly until now. View this post on Instagram NLE Choppa Reveals What Inspired His Diss Record Towards NBA YoungBoy NLE Choppa is opening up about what pushed him to record his latest diss track, “KO,” aimed at rapper NBA YoungBoy. In a recent interview, the Memphis rapper described a disturbing dream that he says felt more like a divine warning than random imagery. “It was me holding a young boy’s head in my hand,” Choppa explained. “I was bringing the head to my father in the dream — my dad. The flesh was hanging off the skull, mosquitoes and gnats were biting at it.” Rather than dismiss the vision, Choppa said he prayed for understanding. The next morning, he felt compelled to act. That moment of clarity, he claims, sparked the creation of “KO,” which dropped on October 30, 2025.The record takes direct aim at YoungBoy’s influence on the youth, with Choppa accusing the Baton Rouge star of spreading negativity instead of empowerment.

Yandy Smith-Harris has seemingly sent shots at her estranged husband, Mendeecees, who announced their split a few weeks back. On Friday (Dec.26), Smith-Harris hopped on her Instagram Story, sharing two posts that seemingly offered a peek into the Love & Hip Hop alum’s state of mind. One post read, “Now I finally understand the difference between people who love me, people who love to be around me, and people who love what I can do for them.” The second post reads, “‘You’re quieter now,’ I heard my business from people that I didn’t tell.” Awhile back, during an episode of Yung Joc And The Streetz Morning Takeover, Mendeecees addressed the couple’s estranged relationship. Rumors of infidelity on both their behalfs have often been discussed online and even on the popular reality series. He was specifically romantically linked to singer Tamar Braxton. Rumors have suggested they’ve been separated for some time and were, in fact, getting a divorce. However, according to Mendeecees, that’s not the case. “We not together. We was never legally married, so [we’re not getting divorce],” he said. instagram.com/yandysmith instagram.com/yandysmith “I didn’t do it for TV. It was Yandy’s idea,” Mendeecees Says According to Mendeecees, the elaborate wedding filmed on Love & Hip Hop was solely for show. “In the beginning, I was going through legal battles with courts and fines, and she said, ‘Let’s not sign the papers.’ I was like, all right, cool. Then it kind of just stayed that way.” He continued: “Then we got married again, and we still didn’t sign. If I look back now and see what people go through with divorce, assets, all that, we don’t got to go through none of that. You know what I’m saying? It kind of worked out.” Despite being together for over two decades, the pair just can’t seem to “get on the same page,” he says. According to him, they’ve been split up for over a year. Still, Mendeecees looks back fondly on their relationship, saying, “After 20 years, that person helped change who you are. I matured in so many ways being with Yandy. I wouldn’t be the man I am today if it wasn’t for her.” He added, “She made me look at family different. She made me look at life different. If you saw how closed off I was before, I wouldn’t even be sitting here having this conversation.”

In 2025, music producers are no longer confined to studios, cities, or even genres. The modern producer is global, independent, tech-savvy, and culturally fluent- shaping sounds that move effortlessly from TikTok to radio to international charts. As music as a whole continues to evolve, Producer WorldWideFresh is calling attention to the 2025 trends that drove the culture forward. Photo Credit: WorldWideFresh Akil King, professionally known as WorldWideFresh—or simply Fresh—is a 16-time Grammy-nominated, four-time Grammy-winning songwriter and producer whose impact reaches far beyond his Brooklyn roots. Raised in Brownsville, Fresh turned humble beginnings into a global career, amassing over 100 million records sold, more than 5 billion streams, and 944 songwriting and production credits to date. View this post on Instagram Fresh has contributed to No. 1 albums and singles across nearly every major global genre, including R&B, pop, hip-hop, Afrobeats, reggae, K-pop, country, and Latin music. His pen and production have shaped defining moments in modern culture—from Beyoncé’s Grammy-winning “Black Parade” to Coi Leray’s global hit “Players,” and Doechii’s viral smash “What It Is.” Fresh talks 2025 music trends: How would you describe the sound of 2025?  The sound of 2025 can be summed up in one word: R&B. It was the year the genre fully re-centered itself as the emotional and creative backbone of music again. What textures, rhythms, or creative approaches defined this year for you?  This year was about getting back to the core of music authenticity, originality, and intention. Creating from the heart, for the art, rather than chasing money, metrics, or popularity. The focus shifted back to feeling. What was the biggest production trend you noticed in 2025, and how did it influence your own work? Music returning to the core root of the late 90s early to mid 2000s feel. It’s like music went ahead just to come back again. Pretty much history repeating itself.  Did you see any unexpected sonic shifts this year sounds, genres, or techniques that suddenly took off?  The unexpected sonic shifts that I noticed this year was the ability to blend edgy hip hop drums over melodic R&B rhythms. Which leads to the genre that took off unexpectedly, R&B music. The 2 main acts the helped restore & rebirth that was Leon Thomas and Kehlani. Which artist or project did you work on this year that best represents where music is headed?  There were a number of projects I worked on that best represented where Music is headed today wine, Honey Bxby’s “Raw Honey”, 2. Elmiene “Heat the Streets” 3. 4batz “Still Shining” 4. Josh Levy “Hydraulic” which is showing that there was going to be a huge explosion in R&B music in 2026. And these four artists are all young R&B trailblazers in their own right, that are setting the stage for a huge explosion in R&B music in 2026.  View this post on Instagram 
How did regional sounds—NY drill, Jersey club, Afro-fusion, ATL trap, West Coast bounce—evolve in your opinion?  I believe New York drill has evolved since Cash Cobain has put his spin on it and develop sexy drill. I think jersey club music has evolved since the birth of Zeddy Will he makes Jersey club music fun again and makes people wanna dance and enjoy themselves carefree like they used to.  Afro fusion has evolved because now different genres of artist are putting their spin on afro beat music. Which is making it more popular to the masses.  Atl trap music has evolved since Metro Boomin. Who’s one of my favorite producers has returned ATL trap music back to its regional space. Helping new acts break to top 40 heights such as YKNiece With record like “take me through there”.  West Coast bounce has evolved since the return of Kendrick Lamar helping to not just evolve the music but evolve, new artist and producers simultaneously.  View this post on Instagram Has AI-assisted production or new plugins change your workflow? If so, how? Yes, AI production and plugins helped with workflow when I was able to go to the studio create a song for an artist that I love and instead of waiting for the particular artist to record the record use an AI plug-in to take the likeness of that artist and allow me to hear what it would sounds like with The Artists voice.  Were there any creative risks you took this year that felt different from previous years? The creative risk I took this year was not chasing the more established artist and investing my time in artist developing and helping to build and break new acts such as Honey Bxby, Zeddy Will, and Wesley Franklin.  How have TikTok, Reels, or short-form platforms influenced how producers approach making records in 2025?  I believe it has influenced producers on their approach of making music in 2025. It is simply the the greatest tool to measure & gauge what the kids are into. I believe it’s a direct indicator to what children love the most about music and most times believe it or not TikTok actually trends with great music that people like and not just trendy music sound bites or click bait.  What sounds or trends do you think will dominate and re-emerge in 2026? The sounds that will dominate in 2026 is R&B music and hip-hop music will make a comeback. K-pop music is going to get bigger and I believe we are going to see more boy and girl bands in 2026. I also believe Hip Hop is going to make a come back because it is in the reset phase. I think we’ll see the return of Drake dominating, more great music from future, 21 savage and also new acts like JID & BIG Xthe plug.  Heading into 2026, my focus is on creative dominance and legacy. WorldwideFresh is positioned to become one of the top five leading producers in the industry, with a strong presence across radio and streaming platforms. At the same time, I’m building Money Well Spent Records alongside

Akademiks believes that the rap industry’s fixation with high streaming numbers has given way to the internet streamer boom. During a recent stream, the podcaster shared his views on why he thinks “rappers are competing with streamers.” Streamers such as Kai Cenat, Adin Ross, and N3on, have all had rappers on their platforms. “Rappers made a huge mistake in the last two years,” Akademiks said. “When they were chasing numbers, they all went to streamers. You’ve got to understand, the rapper collab with the streamers is what got these guys to record levels of clout.” Akademiks went on to say that Tory Lanez appeared on Adin Ross’ livestream in 2021, two years before he was sentenced to a decade in prison. “These streamers on their way to whatever clout level they get to. They collaborate with rappers, but overall the end result is that it helped the streamers more than they help the rappers,” he continued. Ak also believes that hip-hop artists have “handed their audience over to discover these streamers.” “I do believe that streamers have done a great job to extract the attention of potential fans away from the rappers,” Ak said. “Now to the fact that the rapper have to show up to the streamers’ bedroom to try to get the attention back, expect, fans are making a hard choice.” “We’re buying into personality over this coolness factor and music that is hit-or-miss,” he concluded.

Nicki Minaj is planning to keep a low profile in 2026. Following her surprise appearance at Turning Point USA’s AmericaFest, Minaj has deactivated her Instagram account. Walking out with Erika Kirk, the widow of conservative activist Charlie Kirk, Minaj lauded President Donald Trump and Vice President JD Vance as “role models” for young men. ​“This administration is full of people with heart and soul, and they make me proud of them. Our vice president makes me … well, I love both of them,” Minaj said. “Both of them have a very uncanny ability to be someone that you relate to.” “I have the utmost respect and admiration for our president. I don’t know if he even knows this, but he’s given so many people hope,” Minaj continued. Minaj said she decided to follow Trump because she “got tired of being pushed around.” “I have something inside of me that’s stronger than what’s out there. So when you’ve had enough, you realize, ‘Wait a minute, why do I even care about these people and what they think? Who are they?’ They don’t even know who they are,” Minaj continued.  “So I’m not going to back down anymore. I’m not going to back down ever again.” Minaj also mocked California Gov. Gavin Newsom, calling him “New-scum”, a nickname Trump gave the California governor. But it wasn’t long before Minaj made a major gaffe, calling Vance an “assassin.” “You have amazing role models like the assassin, JD Vance, our vice president,” Minaj said before realizing her choice of words. Charlie Kirk was fatally shot during a Turning Point USA event on the campus of Utah Valley University in September. She covered her mouth with her palm, showing her embarrassment. “If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, coming to Minaj’s defense. “Trust me, there’s nothing new under the sun that I have not heard, so you’re fine… I love you. You have to laugh about it truly,” Kirk told Minaj. “You say what you want to say, because I know your heart and I will not judge that.”

Tyrese Gibson prepares for 2026 with a message rooted in faith, reflection, and spiritual intention. On December 24, the R&B singer and actor shared a lengthy post on X, formerly Twitter, that read more like a prayer than a typical social media update. The message arrived just days after his emotional, widely circulated interview with famed pastor T.D. Jakes, offering deeper insight into where Gibson says his heart and spirit are headed. “Dear Heavenly Father, as I stand at the doorway of 2026, I come before You in the name of Jesus Christ,” Gibson wrote, immediately framing the upcoming year as a moment of transition. Dear Heavenly Father, as I stand at the doorway of 2026, I come before You in the name of Jesus Christ. Before this new year fully unfolds, I place my life, my family, my work, and my future into Your hands. Go before me, and destroy every plan of darkness set against my life.… — Tyrese Gibson (@Tyrese) December 25, 2025 By placing himself at the “doorway” of 2026, he positioned the future as a reset rather than a continuation of past struggles. He went on to offer “my life, my family, my work, and my future” to God, signaling a desire for wholeness and alignment after years marked by public scrutiny and personal challenges. Throughout the post, Gibson leaned into language of spiritual protection and release. He asked God to “destroy every plan of darkness set against my life” and declared that “every curse that tried to follow me from previous years is stopped here.” He continued, “Every negative word, every repeated pattern, every hidden plan meant to delay my progress or steal my peace is cancelled now,” framing past pain as something he refuses to carry forward. Tyrese Gibson Delivers A Prayer For His Enemies Before 2026 One of the most striking lines, “What was sent to weaken me will not enter 2026 with me,” reads as a clear boundary. The sentiment echoes themes Gibson discussed with Jakes, including endurance, faith, and surviving judgment without losing oneself. Rather than naming specific people or moments, he used spiritual language to address what he later described as “the enemy.” Gibson’s declarations for the year ahead carried that same clarity. “I declare that 2026 will not be marked by struggle, but by direction; not by heaviness, but by freedom; not by curses, but by the blessing of God,” he wrote, emphasizing intention over reaction. He closed with an invitation: “Type ‘God is great’ to disappoint the enemy!” The call transformed the prayer into a shared moment, inviting followers into collective affirmation. Gibson’s post reflected renewal, not retaliation. It was a statement of faith, peace, and resolve, offering a reminder that healing can be both personal and communal.