According to Billboard Canada, The Weeknd has set the record for most performances by a Canadian artist at one of Toronto’s biggest stadiums — the Rogers Centre, which also houses the Toronto Blue Jays. The singer performed four shows on his After Hours Til Dawn Tour at the Rogers Centre, which began on Thursday, August 7. The outlet also reported that he set the record for “most shows at the venue by a male solo artist on the same tour.” This trek would count as The Weeknd’s seventh concert tour. The stadium tour was in support of his fourth, fifth, and sixth studio albums: After Hours (2020), Dawn FM (2022), and Hurry Up Tomorrow (2025). This tour serves as a victory lap for the “Timeless” singer and marks the end of his Weeknd era. View this post on Instagram A post shared by NFR Podcast (@nfrpodcast) Last month, The Weeknd was awarded the ultimate honor from his hometown of Toronto by receiving the Key to the City and a citywide proclamation of “The Weeknd Weekend” from July 26-27.  Complex reported that the City of Toronto recognized” the pop star actor for his accomplishments as a singer-songwriter and producer, his enduring humanitarian efforts, and his dedication to giving back to his city.” During the private ceremony, The Weeknd was presented by Toronto Mayor Olivia Chow, who was attended by youth from West Scarborough and The Weeknd’s alma mater, Birchmount Park Collegiate Institute. “I’m deeply honored to receive the Key to the City. It feels good to be home,” The Weeknd said. “Toronto is where I found my voice, and I’m committed to helping the next generation find theirs. That’s why I’m proud to support the Boys & Girls Club of West Scarborough and my former high school, Birchmount Park, providing youth with the means to unlock their full potential.”

Is there anything that Queen Bey can’t do? Whether it’s sparking online debates or shattering Grammy records, Beyoncé has more than proven herself worthy of all her accolades. So it’s no surprise that when Billboard released its “The 75 Best R&B Artists of All Time” list, Beyoncé ranked high among her peers. Landing at No. 4 on the list, the Renaissance singer follows behind icons like Michael Jackson (No. 3), Aretha Franklin (No. 2), and Stevie Wonder (No. 1). The late, legendary, singer and diva, Whitney Houston, rounded out the group at No.5. The criteria for ranking included “vocal prowess, body of work, career longevity, industry achievements, game-changing influence, and enduring generational/cultural impact.” “Billboard’s Greatest Pop Star of the 21st Century also happens to be one of the Best R&B Artists of All Time. In fact, it’s her dedication to her R&B foundation that has helped her become one of music’s most innovative, impactful, and impressive artists,” the outlet wrote. “The 35-time Grammy-winning Houstonian first hit the Billboard charts as the lead vocalist of Destiny’s Child, the girl group in which she honed her now-signature staccato rap-singing, a vocal approach that can be heard in virtually every contemporary R&B song today.” Beyoncé has been named the #4 ‘Best R&B Singer of All-Time’ by Billboard staff. pic.twitter.com/bFcg8myACW — Pop Tingz (@ThePopTingz) June 19, 2025 Other notable artists included in the list include: James Brown (No.6), Prince (No.7), Mariah Carey (No.8), R.Kelly (No.9), and Marvin Gaye (No.10). Last December, Billboard crowned Queen Bey as the greatest pop star of the 21st century. The publication said she’s “the century’s biggest pop star based on her full 25 years of influence, evolution, and impact.” “The reasons why Beyoncé captured the top spot on our list were beyond numerous. Ranging from her 25 years of timeless albums and singles to her incalculable industry impact and influence on other artists, to her peerless raw talents as a singer and performer.” Billboard said. “Few artists this period can match her in any of the most critical basic categories of pop stardom. Commercial success, performance abilities, critical acclaim and accolades, industry influence, iconic cultural moments – and absolutely no one can equal her in all of them,” Billboard continued.

A string of leaked jailhouse phone calls has thrust Young Thug back into the spotlight, revealing disparaging remarks about other artists, infidelities, and private struggles. What might have remained personal has instead spilled into public view, intensifying scrutiny of the Atlanta rapper at an already precarious moment. Young Thug moved quickly to respond. He released a seven-minute track titled Man I Miss My Dogs, a blend of apology and self-reflection that reaches across both personal and professional lines. The song suggests contrition while doubling as a bid to steady relationships unsettled by the leaks. In one of its most pointed verses, he addresses Drake directly: “Drizzy, you my brother/ You know I ain’t going against you/ I got manners/ Everything you did for the rap community can’t ban you.” The lines underscore the depth of their bond, presenting a friendship resilient enough to withstand the turbulence of his incarceration. Loyalty Within His Circle Even as public criticism swelled, Young Thug found support among those closest to him. YSL Woody recently shared a photo with Yak Gotti, both wearing “I love Young Thug” shirts—a visible gesture of loyalty. He captioned the post: “While everyone dissing bra, we in the cut like ,” Days earlier, Woody was more candid about the emotional strain, writing in a separate post: “The truth no I’m not okay after everything a n**** been through. My intentions have never been flaw even I knew sh*t. I held my composure and carried it around like it was nothing.” His words point to the quieter, often overlooked toll such controversies inflict on those standing closest to the storm. Where Young Thug’s peers land in the aftermath remains uncertain. His latest track and public contrition suggest an attempt to repair frayed connections. But in hip-hop’s unforgiving spotlight, the balance between accountability and loyalty is rarely simple—and it is a tension the rapper will continue to navigate. View this post on Instagram A post shared by Kenneth Copeland (@woody_selfmade)

A recent viral clip has reopened a conversation about how celebrity can shape the boundaries of self-expression. In a video reposted by The Neighborhood Talk, Kenny Storey (@kstorey222) argued that Chris Brown occupies an unusual cultural space—one where he can experiment freely with style and identity without having his masculinity questioned. Few male performers, Storey suggested, are granted that kind of freedom. Storey pointed to Brown’s visible choices—bright hair colors, bold piercings, and layered jewelry—as examples of an artist able to sidestep the criticism often directed at others. “Chris Brown be getting a lot of passes, bro,” Storey said, framing the singer’s career as a case study in how public perception bends for certain figures. His remarks touch on broader questions of gender, performance, and the cultural leeway afforded by fame. Brown himself brushed off the discussion with humor. “It’s just me twin,” he wrote, a response that underscored both his ease with the narrative and his comfort in identity. In doing so, he seemed to validate Storey’s point: confidence, wielded with self-possession, can turn scrutiny into part of one’s brand. Fans Rally Behind Him The debate struck a chord with fans, many of whom praised Brown’s unapologetic stance. “Anyone can do what they want when they’re secure with themselves,” one wrote. Comparisons to artists like Prince—who blurred lines of gender and style decades earlier—surfaced repeatedly, situating Brown within a lineage of performers who challenge convention. At the same time, Brown is adjusting to the realities of his first global stadium run, the “Breezy Bowl” XX tour, alongside Summer Walker and Bryson Tiller. The shows have been warmly received, but he has also fielded complaints about logistical snags, from parking to seating delays. “Hope y’all understand this is my first stadium tour,” he told fans on Instagram, stressing his commitment to ironing out the issues. He also addressed the cancellation of several meet-and-greets, citing security concerns and the need for rest. “Hope y’all understand,” he repeated, the note carrying both candor and fatigue. The exchange reflects a broader cultural tension: the balance between masculinity and self-expression, and the extent to which celebrity status reshapes those boundaries. For Brown, leaning into authenticity—and speaking directly to fans—has helped solidify his place not just as an artist, but as a figure in the ongoing debate over individuality and image in contemporary culture. View this post on Instagram A post shared by The Neighborhood Talk (@theneighborhoodtalk)

In a business where rivalries often seize the spotlight, DJ Khaled is working to push a different storyline—one built on connection and shared growth. Throughout his career, the producer has cast himself as a bridge-builder, even when tensions flare among hip-hop’s most recognizable names. That role came back into focus during a recent conversation with Fat Joe and Jadakiss, when Khaled weighed in on disputes involving Drake, Rick Ross, and Future. Earlier this year, Drake found himself caught in public friction with both Future and Rick Ross. Khaled acknowledged the rift but chose not to fan the flames, instead emphasizing the need for unity. “I’m the one out of the crew that always says ‘Yo, we don’t need that.’ We need to come together, we need love… concurrently, we must ensure that financial opportunities are not hindered.” He added, “Those are my brothers; my friendships are unquestionable,” underscoring his loyalty to all three artists. The clip quickly spread on Instagram, drawing a mix of reactions. Many praised Khaled for promoting peace, but others accused him of sidestepping weightier issues. Some pointed to his silence on global conflicts such as the war in Gaza, with one commenter joking that Khaled appeared wary of being challenged on subjects beyond music. A Longstanding Partnership with Drak Khaled’s creative bond with Drake has been one of the defining threads of his catalog. Together, they’ve produced radio fixtures like I’m On One, No New Friends, and For Free, collaborations that helped cement their chemistry. Recently, Khaled revealed that Drake would appear on two songs from his forthcoming album, Aalam of God. But after Drake responded playfully on Instagram, Khaled deleted the post—leaving fans intrigued and the details deliberately vague. That ambiguity has only fueled anticipation. In August, Khaled dropped two singles from the project: “Brother,” featuring NBA Youngboy and Post Malone, and “You Remind Me,” a dancehall-inspired track with Vybz Kartel, Buju Banton, Bounty Killer, Mavado, RoryStoneLove, and Kaylan Arnold. The album will be Khaled’s first since 2022’s God Did, a release he has framed as one of his most ambitious undertakings yet. DJ Khaled speaks on remaining neutral during rap beefs, instead focusing on unity and positivity: “I’m the one out of the crew that always says ‘Yo, we don’t need that.’ We need to come together, we need love… At the same time, we don’t wanna slow up the money.” “I love… pic.twitter.com/sWeDGa1r45 — HotNewHipHop (@HotNewHipHop) September 11, 2025

Teyana Taylor graces the latest cover of Marie Claire, opening up about her career, creativity, and the advice that helped shape her path in music and performance. In the interview, she reflects on her latest album, making it clear it’s about far more than personal relationships. “It’s so much bigger than, you know, people automatically just assuming, ‘Oh my god, this is just [about a] relationship.’ No, baby. I’ve been in relationships with music … friendships … business, all of the things, all across the board,” the 34-year-old tells Marie Claire. “So it’s escaping the things that just do not serve me—even if that includes myself, because we sometimes fall into these dark places. You got to hold yourself accountable. Say, ‘Girl, get up. Get out of this space. Get out of this room. Get out of this box.’” View this post on Instagram A post shared by Marie Claire (@marieclairemag) Teyana’s perspective on ambition was shaped early by Beyoncé. At just 15, she choreographed Beyoncé’s “Ring the Alarm” video, and the superstar became a long-term mentor. Around the release of her debut album VII in 2014, Teyana recalls a pivotal conversation with Beyoncé: “You’re never gonna fully get what you want unless you go and do it yourself.” That guidance fueled Teyana’s ambitious approach. “I was kind of one of the only up-and-coming artists that was like: ‘I want a band, I want six dancers. I want, I want, I want.’ I wanted the world. I wanted everything with a bubblegum and shoestring budget. And I realized that I would walk away with less money because I was paying more people,” she explains. Beyoncé’s mentorship reassured her: “Of course it hurts in the moment, because it’s like, ‘Oh my god, I could be making so much more money.’ But then [I’d talk] to Bey, and she just gives you that reassurance of like, ‘Oh no, that’s normal. That just means you’re a true creative. Spend the money. Do what you gotta do to get what you want.’” That early advice not only shaped Teyana’s career decisions but also helped establish her as a bold, uncompromising creative in music and performance.

Fat Joe recently opened up about how conflicts with other artists impacted his career and cost him major business deals. On a recent episode of Complex’s Sneaker Shopping, the Bronx rapper revealed that both Air Jordan and Reebok deals fell apart in the mid-2000s because of his well-known feuds with 50 Cent and Jay-Z. He explained that a confrontation with 50 Cent at the 2005 MTV Video Music Awards played a role in Air Jordan passing on a collaboration. Fat Joe says Michael Jordan personally called him to explain the situation. “Yo, Big Joe, you know, I’m not with controversy. Maybe we look at this in the future,” Jordan reportedly told him. Reebok, which had offered a multi-million-dollar sneaker deal, also withdrew after an executive realized Fat Joe was not on good terms with Jay-Z. “Reebok had approached me and was like, ‘Yo, we want to do a sneaker with you for millions.’ I caught the squeeze play cause Hov was over there and 50 Cent,” he said. “They shut it down. They was just like, ‘Yo, we won’t do business with you if you give this guy a sneaker.’ That’s part of the karma. It’s part of the ins and outs. I’ve done it to other guys. It came back to me.” Outside of business setbacks, Fat Joe is also facing legal challenges. In June, his former hype-man Terrance Dixon filed a $20 million lawsuit, claiming he witnessed the rapper engage in illegal behavior, including sleeping with minors and using intimidation tactics. Fat Joe has denied the allegations and addressed them on social media. “I’ve never let anyone on the streets extort me, so how would I ever let a crooked attorney and a coward ex-hype man extort me?? I’m from the Bronx!” These experiences highlight the costs of high-profile rivalries and legal battles in the music industry. Fat Joe’s story shows that even for seasoned artists, the choices made in conflicts and personal relationships can have lasting effects on both career opportunities and personal life.

Ice Spice has shown that her friendship with Taylor Swift is strong and untouchable, even when faced with playful pressure for a viral moment. The two artists first connected while working on the 2023 remix of Swift’s hit “Karma,” and their bond has continued since then. Ice has described Swift as “my sis,” recalling a time they spent chatting and laughing while enjoying a drink together. Kai Cenat tries getting Ice Spice to call Taylor Swift during stream. pic.twitter.com/VPhQhPCAWq — Pop Base (@PopBase) September 6, 2025 Swift has also praised Ice, highlighting her professionalism, focus, and ability to balance fun with clear boundaries. She said, “I relate to Ice in many ways, but I think her dedication and focus is what blew me away from the very start. She’s extremely professional without being cold. Playful and fun without ever taking her eye off the prize. She knows what is and isn’t ‘her’ and sets those boundaries with grace. She studies the industry and other artists’ careers but is very clear about charting her own definitive, original path. It’s her ability to carefully find that balance that impresses the hell out of me.” Recently, Ice appeared on Kai Cenat’s livestream alongside Latto to promote their new collaboration, “Gyatt.” Cenat attempted to coax her into calling Swift live, even suggesting she congratulate the singer on her engagement to Travis Kelce. Ice immediately turned down the idea, joking, “No, ‘cause if she don’t answer, I’mma lose aura,” and added, “You peer pressuring me into calling my best contact.” Cenat insisted, claiming her aura would skyrocket if the call went through, but Ice remained firm. The clip of the exchange quickly went viral, with fans praising Ice for protecting her real-life friendship over creating a viral moment. Many commented on social media that she made the smart choice by keeping Swift’s privacy in mind, noting that Swift is likely busy with her music and personal life. Through both public admiration and personal interaction, Ice Spice and Taylor Swift’s relationship stands out as one built on mutual respect and genuine camaraderie. Ice’s recent livestream moment was a reminder that she knows how to balance fun with loyalty.

Meek Mill is moving to reassert control over his career, announcing that he is seeking $5 million to fund a new round of projects that include a book, an album, and a short film. The Philadelphia rapper has used social media in recent weeks to voice his frustration with the industry, arguing that artists who step outside the traditional label system face steep and often unfair hurdles. “I need $5M in funding for a book, album, and short film,” Meek wrote in a post on X. In the same message, he took aim at the structure of record deals, saying, “These label deals are not looking fair at all… they have essentially tarnished the game, but I’m poised to revitalize it! Why can’t I receive the same level of investment as tech initiatives in rap culture?” He went further, pointing to banks and financial institutions as gatekeepers that should be challenged by artists. Sharing a clip from radio host DeDe In The Morning, Meek reflected on the deep imprint of Black culture across American life. “Why, as independent music artists, are we not engaging with banks when everything in the music industry ultimately circles back to financial institutions? We possess total control—let’s take action! Is it truly so difficult to secure funding outside of a record label in America? It’s perplexing, to say the least.” Meek Mill turns scrutiny into a blueprint for independence The rapper’s transition to independence has been under sharper scrutiny since his split from Roc Nation earlier this year. That scrutiny grew louder after Rodney “Lil Rod” Jones, in a lawsuit against Diddy, made allegations touching on Meek’s private life. Meek rejected the claims outright in a lengthy statement online. “I have a 14-year-old son. I refuse to let unfounded rumors tarnish my name or manhood… My son has had to confront such negativity at school! This is part of a silent war against black men, and we must unite!” Meek presented that resolve as its own form of strength. “I am a real-life KING. They’ve realized I can uplift entire communities just by showing up… I can mitigate street conflicts without threats… I can mobilize billions to challenge the system… turning $0 into $100 million. This is why I played it low-key; someone caught on!” His call for financial autonomy underscores a larger shift in hip-hop. Increasingly, artists are questioning the value of conventional label deals, instead pushing for the kind of investment and independence that Meek Mill is demanding as he turns the page on the next stage of his career. I need 5m in funding for book.. album and short film …These label deals not looking fair at all… they ruined the game basically … but I can reboot the whole thing! Why I can’t get the same attention as a tech investment in rap wthelly — MeekMill (@MeekMill) September 8, 2025

On Thursday (Sept.4), Billboard held its annual R&B/Hip-Hop Power Players event. Anthony ‘Top Dawg’ Tiffith, the CEO and founder of Top Dawg Entertainment, was crowned as the ‘Executive Of The Year.’ Tiffith founded the independent record label in 2004 in Carson, California. TDE has helped launch the careers of industry heavyweights like Kendrick Lamar, SZA, and most recently, Doechii. He took to the Billboard stage with TDE executive Terrence “Punch” Henderson, along with his son, TDE president Anthony “Moosa” Tiffith Jr, by his side before giving a moving speech. “I like to stay behind the scenes,” he began. “Billboard pulled me out tonight, I got a couple words for y’all. I want to thank Billboard for honoring me with this award, Executive of the Year. I feel like I should’ve won this three, four, five times.” Top continued: “I am low-key, not promoting myself and letting my artists shine, they don’t recognize that. But tonight is that night, this is the MVP trophy of the music industry.” View this post on Instagram A post shared by Billboard Hip-Hop/R&B (@billboardhiphop) Top Dawg Entertainment has been on quite a run the past year. Back in June, Kendrick and SZA’s Grand National Tour became the highest-grossing reported co-headline tour ever, according to Billboard’s Boxscore. At the time, they were only halfway through, and the pair had already grossed nearly $256.4 million and sold over 1.1 million tickets. In February, the label’s newest star, Doechii, won the Grammy for Best Rap Album for her mixtape, Alligator Bites Never Heal. Released in August 2024, the 19-track project earned critical acclaim and peaked at No.10 on the US Billboard 200. Alligator Bites Never Heal has now been certified gold by the Recording Industry Association of America (RIAA). During the Grammys ceremony, she gave a moving speech that went viral after a clip of it circulated online: “Anything is possible. Don’t allow anybody to project any stereotypes on you, to tell you that you can’t be here, that you’re too dark, or that you’re not smart enough, or that you’re too dramatic or you’re too loud. You are exactly who you need to be to be right where you are, and I am a testimony right now.”