Chicago hip-hop has lost one of its early radio champions this week in Mark “DJ Ice Box” Josephson, whose broadcasts helped introduce local rap to a wider audience, who died July 19 at 58. Josephson was a University of Chicago student in 1986 when he began spinning records at WHPK-FM 88.5. He studied Near Eastern languages and civilizations while hosting late-night rap as DJ Ice Box. With a tagline of “This is Ice Box keeping your hip-hop fresh,” he played rap music on a University of Chicago radio show at a time mainstream radio wouldn’t touch the genre. https://t.co/0grml5dm6n — Chicago Sun-Times (@Suntimes) September 18, 2026 WHPK’s rap program launched in 1984. At the time, Chicago’s commercial stations rarely played hip-hop. The station operated at only 100 watts, but its signal reached much of the South Side. For young rappers, WHPK became a crucial connection to Chicago’s emerging hip-hop culture. “We stumbled across WHPK one day in the mid-’80s,” Darrell “Artistic” Roberts recalled. “They rapping.” Roberts belonged to the Curfew Crew, a group of teenage rappers from Chicago’s 101st Street and State Street area. The crew battled other neighborhood groups and taped WHPK broadcasts. Josephson and his fellow DJs played rap records sourced from New York. They also welcomed tapes from Chicago artists seeking their first radio exposure. Rappers sometimes called the station from a nearby payphone. DJs would collect their tapes and occasionally invite the artists inside. CHICAGO Hip-Hop DJ Mark “DJ Ice Box” Josephson Dead At 58 That connection helped Roberts get his first song played on Chicago radio. C. “Kingdom Rock” Sanders, a Curfew Crew contemporary, later co-founded the Chicago Hip Hop Heritage Museum. He remembered Josephson as an unconventional figure behind the turntables. “He was a slender, Caucasian, Jewish man with glasses and an Afro,” Sanders said. “You would not expect him to be playing the music he was playing.” John Schauer, another WHPK DJ known as J.P. Chill, said the pair never tried to mimic Black culture. “We were just like, ‘We are who we are,’” Schauer said. “We were different, and we were accepted.” Roberts said their connection transcended race. “Our spirits connected us to the culture,” he said. Josephson later became an attorney but never abandoned music. In 2024, he attended a Common concert wearing a WHPK shirt. “It was surreal to see a bunch of middle-aged Black guys get so excited to meet my dad,” his son, Ari Josephson, said. Josephson had frontotemporal dementia and ALS. He is survived by his wife, Lea, and children Ari and Shayna.

Hip-Hop star Yung Miami’s solo era is gathering serious momentum due to the success of her Uptown Records’ debut “Spend Dat.” Her breakout single for the relaunched Uptown Records, has reached RIAA platinum eligibility. Released April 24, the J. White Did It-produced track became a defining record of Miami’s 2026 run. It climbed to No. 17 on the Billboard Hot 100 and topped multiple radio charts. Yung Miami says she’s going to bet on herself everytime after ‘Spend Dat’ goes platinum pic.twitter.com/XqVZO0SrpE — 2Cool2Blog (@2Cool2Blog) September 15, 2026 The milestone arrives months after Miami joined Uptown Records’ first wave of artists. The storied label relaunched under Republic Collective with Miami, G Herbo and Trap Dickey. “This is a legendary label being resurrected,” Miami said of Uptown. “Uptown already feels like home.” “Spend Dat” has since become the centerpiece of her solo campaign. The former City Girls member has spent the year carving out space beyond her work with JT. The song’s RIAA milestone measures more than traditional purchases. Platinum represents one million certified units under the organization’s current digital single standards. The RIAA counts eligible permanent downloads and on-demand audio and video streams. One hundred fifty qualifying streams equal one certified unit. Hip-Hop Star Yung Miami’s “Spend Dat” Reaches RIAA Platinum Eligibility Miami has also expanded the song’s reach through two remixes. Lil Baby and Kodak Black joined the U.S. remix, while Davido, Shenseea and Vybz Kartel appeared on the international version. Those collaborations arrived as “Spend Dat” continued its chart run. The song has remained on the Billboard Hot 100 for multiple weeks, reinforcing its staying power. Miami’s achievement follows years of success with City Girls. Now, “Spend Dat” offers a different kind of statement. It belongs to her solo catalog, under a newly revived label with its own history. Uptown helped define hip-hop and R&B through artists including Mary J. Blige, Jodeci and Heavy D. For Miami, the connection carries symbolic weight. She is entering Uptown’s next chapter while building one of her own. The platinum-eligible “Spend Dat” has become the clearest marker yet of that transition. Its success gives Miami another significant milestone before her anticipated solo debut album. The record has already carried her from Miami nightlife to national radio and the Billboard Top 20. Now, the RIAA milestone adds another chapter to her solo ascent.

Hip-Hop star Drake has given fans another unreleased track to dissect, and one lyric is already drawing attention. The biggest name in hip-hop previewed the song during FOMO (Fear of Missing Out), his hour-long short film released Sept. 15. The project features previously unheard music and several high-profile collaborations. DRAKE DEDICATES NEW SONG FOR PALESTINIANS IN ‘PRAY FOR GAZA’ pic.twitter.com/nAcw1dClZc — RT (@RT_com) September 16, 2026 Around the 17:47 mark, Drake delivers the phrase “Pray for Gaza” over a dancehall-influenced production. The moment lasts only briefly, but it has quickly become one of FOMO’s most discussed musical details. Drake has not announced an official title for the track. He also has not confirmed plans for a standalone release. The meaning behind the lyric remains unclear. Complex noted that “Gaza” could reference the Gaza Strip and the ongoing conflict involving Israel and Palestinians. Drake Honors Palestinians With Unreleased Track, “Pray For Gaza,” In New Short Film, FOMO (Fear Of Missing Out) The word also carries significance within Jamaican dancehall. Vybz Kartel’s Portmore movement has long used Gaza as an identifying name. That connection adds another possible interpretation to Drake’s lyric. His longstanding admiration for dancehall and relationship with Kartel have also shaped the conversation. Still, Drake has previously addressed the Israel-Gaza conflict through his public actions. In 2023, he signed the Artists4Ceasefire open letter. The letter called for de-escalation and a ceasefire involving Gaza and Israel. Drake’s longtime producer, Noah “40” Shebib, later discussed the decision with Rolling Stone MENA. “He asked if Drake would and I went to talk to him and the team,” Shebib said. “That simple really.” That history offers context, but it does not confirm Drake’s intended meaning. For now, “pray for Gaza” remains open to interpretation. FOMO arrives during Drizzy’s broader ICEMAN era. The film also showcases his continued movement between rap, R&B and dancehall. The project gives listeners a glimpse at music Drake has yet to formally release. Whether “Pray For Gaza” eventually becomes an official track remains unknown. For now, the brief lyric has done what The 6 God’s surprise releases often accomplish. It has given listeners another mystery to unpack.

R&B superstar Chris Brown is addressing the backlash surrounding Rep. Jasmine Crockett’s decision to honor his musical legacy. The R&B superstar shared an Instagram Story Monday, Sept. 14, featuring a photo of himself embracing the Texas Democrat onstage. The moment came after Crockett recognized Brown and Usher during The R&B Tour’s stop at AT&T Stadium in Arlington on Saturday, Sept. 12. Chris Brown via IG story with a message for Jasmine Crockett: “I apologize for any backlash you have to deal with for awarding me.” this was beautiful . pic.twitter.com/2qAosb2ch9 — 𝖍𝖊𝖑𝖔 (@hwloiza) September 15, 2026 Crockett presented the artists with Congressional Record recognition for their contributions to music. She described the moment as a celebration of “Black joy” before recognizing Brown onstage. The tribute quickly sparked criticism because of Brown’s history of legal issues. Critics pointed to his 2009 guilty plea to felony assault involving Rihanna. His more recent legal troubles have also remained part of the public conversation surrounding his career. Brown appeared to acknowledge that scrutiny while thanking Crockett for the recognition. “Thank you so much . I apologize for any backlash you have to deal with for awarding me. I’m not political but I move off of frequency and energy and I’m so grateful. ONCE AGAIN, THANK YOU.” R&B Singer Chris Brown Apologizes To Rep. Jasmine Crockett For Backlash Over Congressional Recognition Honor In Dallas His response does not directly engage his critics. Instead, Brown centers his appreciation for Crockett and the recognition. The singer’s statement also draws a line between the honor and politics. By saying he is “not political,” Brown suggests he viewed the moment through his connection to music and the energy surrounding the celebration. His apology also recognizes the position Crockett now faces. Brown acknowledges that the backlash could extend beyond him and affect the congresswoman who presented the honor. Crockett’s appearance became a major talking point after the sold-out Arlington concert. She joined Texas state Rep. Venton Jones and producer RoccStar for the presentation. For Brown, however, the message remained centered on gratitude. Rather than defend his past or debate the criticism, he thanked Crockett again. His response leaves the broader controversy surrounding the recognition intact. The moment ultimately placed Brown’s R&B legacy and personal history in the same spotlight. Crockett celebrated his musical contributions, while Brown acknowledged the backlash that followed. His final words made his position clear: “ONCE AGAIN, THANK YOU.”

Wu-Tang Clan rapper Clifford “Method Man” Smith is taking his talents back to television. This time, he’s stepping into the AI music debate. The rapper and actor will guest star in CBS’ upcoming legal drama “Cupertino,” where he plays Yungwood, a rapper fighting an artificial intelligence music studio over his shrinking streaming revenue. Yungwood’s battle hits close to home for musicians navigating an industry increasingly shaped by technology. His lawsuit challenges a company he believes is profiting while hurting his music career. View this post on Instagram “Cupertino” premieres Oct. 8 on CBS and airs Thursdays. The series follows lawyers taking on powerful Silicon Valley companies accused of exploiting people. Mike Colter stars as a lawyer whose former employer withholds his stock options. After losing his job, he teams with another fired attorney, played by Rachel Keller. Together, they represent clients challenging the tech industry’s most powerful figures. Method Man of The Wu-Tang Clan Set To Appear On CBS’s Cupertino As A Rapper Suing AI Music Studio Method Man’s appearance comes as AI continues reshaping music. Artists have raised concerns about AI-generated recordings, digital replicas, unauthorized voices and compensation. Smith knows both sides of the entertainment business. He built his reputation as a founding member of Wu-Tang Clan before expanding into film and television. He starred as attorney David MacLean in all four seasons of Starz’s “Power Book II: Ghost.” His performance opposite Mary J. Blige earned four consecutive NAACP Image Awards. Earlier this year, Smith appeared alongside Kelly Rowland in Amazon MGM Studios’ romantic comedy “Relationship Goals.” His acting résumé also includes “How High,” “Garden State” and “Soul Plane.” He reunited with longtime collaborator Redman for Fox’s “Method & Red,” where they played fictional versions of themselves. “Cupertino” comes from Robert and Michelle King, the creators behind “The Good Wife,” “The Good Fight,” “Evil” and “Elsbeth.” The cast also includes Ella Stiller, Busy Philipps, Renée Elise Goldsberry and Nik Dodani. Now, Method Man is bringing his hip-hop perspective to another fight. In “Cupertino,” the stakes involve artists, artificial intelligence and who gets paid when technology changes the game.

Quavo stopped by HOT 97 to talk to Nessa about his new album “QRÖME LIFE,” out October 2, and working with Pharrell to produce the entire project. He talks about how Pharrell challenged him creatively, their trip to Disneyland with Justin Timberlake, his new song “Backwards” with T.I., Jermaine Dupri’s involvement and who he would put on a “Welcome to Atlanta” remake in 2026. He also discusses Drake sampling old Migos ad-libs on “Shabang,” Drake giving Migos equal splits early in their career, and how “Versace” changed everything for the group. Quavo also opens up about reuniting with Offset in the studio, whether another Migos album and “Unc & Phew 2” are coming, and whether Migos has received enough credit for changing the sound of hip-hop. He talks about Young Thug wanting him to join YSL, his thoughts on artists using AI to make music, possibly stepping into a WWE ring, and ranks some of Migos’ most famous ad-libs. Plus, Quavo reveals why he sometimes ghosts people instead of telling them no and plays “Quavo or Pharrell?” with Nessa.

Music icon Beyoncé gifts the world with historic new music for her B-Day, but emerging artists like Iris Stryx, Boganz & Olakira, and Glizzy Glow are aligning the stars this week. The first Friday of September delivered a strong slate of hip-hop and R&B releases, led by Beyoncé and Erykah Badu. After long anticipation, Erykah Badu and The Alchemist joined forces for Before the World Blows. The 16-track album merges Badu’s neo-soul sensibilities with the producer’s signature hip-hop sound. Earl Sweatshirt, Westside Gunn, Thundercat, and Steve Lacy contribute to the project. Elsewhere, Mykki Blanco delivered CAFE PARADISO, a genre-blending release incorporating rap, rock, disco, and art-pop. Wisin expanded the broader urban-music landscape with La Universidad del Perreo. The 12-track reggaetón project draws from Puerto Rico’s underground scene. From Beyoncé historic collaborations to Iris Stryx’s arrival to Bognz & Olakira becoming superstars, here’s a complete list of new music you might have missed this week. Memphis Bleek, Iris Stryx, Boganz + MORE New Music You Might Have Missed This Week Shenseea & DJ Frass Come With The “Tightness” The dancehall princess hits the summer with a red-hot collaboration that will have fans rushing to the dance floor immediately. The producer-led single returns the international superstar to the sound that made us fall in love with her in the first place. It’s vibrant, exciting, and ready to take over the world. 414JungleBaby Lives Life Like It’s a “Movie” For Everybody Watching EP, the cinematic single showcases the new star’s lavish lifestyle as they impress with magnetic rhymes over catchy production. With all eyes on them, the Milwaukee rap star proves that today’s brightest superstars aren’t coming from the City of Angels, the A, or the Big Apple anymore. The song and album are must-hear and must-see attractions for any newfound fan discovering their next favorite artist. Memphis Bleek Knows The “Difference” In Greatness After “No More,” the Brooklyn legend’s latest release explores loyalty, betrayal, trust, and the lessons that come with personal growth.  The track captures Blizzle’s signature streetwise lyricism as he celebrates the lifestyle, relationships, and hard-earned position that come with decades of experience in the game. The single takes it back to where it all began in apartment 3D. Cupid Can’t Stop Making Hits But Ask “Why You Hatin’ On Me” The “Cupid Shuffle” hitmaker addresses the haters in his new Gospel-meets-R&B hit. Blending soulful R&B melodies with an uplifting gospel message, the song delivers a powerful reminder that obstacles and opinions don’t define your purpose. The crown is placed comfortably on his head, and he has no plans to leave the throne as the Linedance King anytime soon. 414JungleBaby, Cupid, Boganz + MORE New Music You Might Have Missed This Week Iris Stryx Has “No Regrets” The rising star’s latest single is about perseverance on her journey to greatness. With her sweet vocals, the Bahamian-born singer sings about the climb that took her far beyond the rejection she once experienced. The song helps others deal with personal struggles. Her forthcoming album represents the culmination of years of training, persistence, and personal growth. More importantly, her success shows that her greatest achievement isn’t measured by streaming numbers or chart positions, but by the transformation of a voice others once dismissed. Boganz & Olakira Shine Bright With “Abena” Continuing the global takeover of African sounds, Zambian Star teamed up with Nigerian Afrobeats hitmaker for the release of their new cross-border collaboration. The track is a high-energy Afro-fusion record that perfectly blends authentic Zambian percussion with a heavy West African bounce. Thematically, the new collaboration is an unapologetic tribute to African royalty, with two African Kings uniting their sounds to celebrate a “Ghanaian goddess of gold.” Driven by a highly infectious, club-ready pre-chorus—”Figure 8 oh / You carry back carry front oh.” To set the visual tone, Boganz and Olakira have released behind-the-scenes footage showcasing a dark, cinematic aesthetic dripping in cultural attire with the goddess dipped in gold. Beyoncé Taps Selena & More As Guests For New B-Day Queen Bey has been very generous lately. After dropping a new track featuring a Jay-Z remix, she’s celebrating her 20th anniversary of B-Day with some legendary additions. She remembers her Texas history with a new collaboration featuring late legendary Chicano singer Selena. They collaborate on a Spanish version of her hit “Irreplaceable.” The deluxe version proves that the album is timeless.

R&B singer Mary J. Blige has found herself at the center of an unexpected AI controversy after appearing in an advertisement for music technology company Suno. The 85-second clip shows the Queen of Hip-Hop Soul inside a recording studio. Blige appears to listen to an AI-generated track inspired by the sonic world she helped define. View this post on Instagram The song recalls elements of Blige’s influential 1990s and 2000s R&B sound. In the footage, she appears to praise the technology and suggest adding strings and a beat. The ad quickly sparked backlash online. Fans and music industry observers questioned whether Blige had agreed to promote an artificial intelligence platform. According to reports, she had not. Suno later acknowledged that Blige’s team did not authorize the campaign. The company said it entered a business arrangement with someone who claimed to represent the singer. “We entered into a business deal with someone who presented themselves as Ms. Blige’s official representative,” Suno said in a statement to Variety. The company said it ended the campaign after learning that the person lacked proper authorization. “As soon as we learned this was not the case, and that Ms. Blige was uncomfortable, we terminated the advertising campaign,” Suno added. Suno Admits Unauthorized Deal For R&B Singer Mary J. Blige AI Campaign The controversy arrives during an increasingly heated fight over AI and music. Artists and major record companies have challenged AI firms over copyright and creative rights. Suno has faced legal scrutiny over how its technology generates music. Critics have raised concerns about AI systems reproducing elements of artists’ work without permission. The Blige controversy adds another concern: who gets to authorize an artist’s likeness and creative identity? For an artist with Blige’s cultural footprint, that question carries particular weight. Her voice and sound have influenced generations of R&B and hip-hop artists. Neither Blige nor her representatives has publicly addressed the controversy. Suno’s statement, however, makes clear the company no longer stands behind the campaign. The incident highlights a growing challenge for musicians navigating AI. Their names, images and artistic identities can now enter digital campaigns with startling speed. For Blige, the episode offers a pointed reminder. In the AI era, artistic consent matters as much as the technology itself.

More than two decades after their Reebok collab, hip-hop mogul 50 Cent is still collecting favors from hip-hop billionaire Jay-Z, now JAŸ-Z. The Queens rapper and entertainment mogul revisited a 2003 Reebok commercial Thursday, recalling a behind-the-scenes clash over the first G-Unit sneaker. According to 50 Cent, JAŸ-Z was furious when he decided to wear his own shoes during the campaign. 50 Cent said the first G-Unit sneaker sample arrived while the pair filmed the Reebok spot. Rather than wear the footwear provided for the commercial, he chose the unreleased G-Unit model. View this post on Instagram That reportedly created tension with JAŸ-Z, whose business partner John McNeilly allegedly worried his reaction could cost him his job. “See Jay still owe me a favor for doing this shit,” 50 Cent wrote on Instagram. “They brought me the first G-Unit sample while we was recording this.” “I said I’m wearing my shoe in this,” he continued. “Jay got so mad John McNeilly said I’m gonna get fired. LOL. True story!” Hip-Hop Mogul 50 Cent Remembers Jay-Z (Now JAŸ-Z) Still Owes Him A Favor After Reebok Commercial The anecdote resurfaced as Reebok revived the red, white and blue G-Unit G6 in 2026. The reissue reportedly sold out within two hours, underscoring the sneaker’s enduring place in hip-hop history. 50 Cent celebrated the demand while taking another jab at longtime rival Rick Ross, who had mocked the G6’s return. “Sold out, fat boy,” 50 Cent wrote. For 50 Cent, the G6 represented more than merchandise. It helped establish a blueprint for rappers seeking influence beyond music. “Reebok took a chance on me early, and it paid off in a big way for us both,” he recently told Complex. “The G6 created a whole new category in sneaker culture and opened up new opportunities in the music space,” he said. “It gave hip-hop artists a platform to go beyond being just artists. It wasn’t the norm back then.” The sneaker’s revival now gives 50 Cent another opportunity to revisit a moment when hip-hop, fashion and corporate culture were becoming inseparable.

Hip-Hop has had a phenomenal summer, and it’s only getting better, with new music from established and emerging stars such as Jay Fizzle, AZ Chike, and JhonnieDamnD. Last week, The Game had all of hip-hop talking with his new album, The Documentary 3, which resurfaced the beef between Drake and Kendrick Lamar. While the West Coast deals with inner turmoil, the South has been flourishing with viral hits by Dallas artists Dolly Babe (“Pink Blush”) and JhonnieDamnD (“Murda Bend”). The summer tours are still going strong with superstars like Don Toliver, Loe Shimmy, and Doechii, creating some of the season’s biggest moments yet. As we head into September, new tours from Ken Carson, Isaiah Rashad, and Chief Keef are kicking off. In music, Cardi B’s new track is quickly becoming unstoppable, with an 2immediate impact on the Billboard charts. However, many rising stars are flooding the charts with fresh energy and undeniable fan bases, pushing them to the top. All this while, we await new albums from the biggest names in hip-hop, like Drake, Travis Scott, Quavo, and Stove God Cooks. And here we are again, new week, new surprises. From JhonnieDamnD calling on Dallas to hop on the remix to AZ Chike and Tyler, The Creator’s first collaboration to Jay Fizzle’s new era, here’s a list of new music you might have missed this week. Jay Fizzle Is Ready To “Smash” On The Competition The Paper Route Empire’s shining star returns with a promising track that serves up boisterous bars in his trademark tumbling flow, boasting about his luxurious lifestyle. The new track serves as a launching pad for new music coming in the rest of 2026. “Smash” is refreshing, attention-grabbing, and the perfect origin for any newfound fan. Jay Fizzle, Mo3, TheRealSkitso, J French + MORE New Music You Might Have Missed This Week JhonnieDamnD Keeps It Dallas Swag For “Murda Bend (Remix)” With one of the biggest songs in the world right now, you can call the biggest names to hop on the remix. But the Fort Worth rap star remembers where he came from and draws on North Texas’s legacy to inject it with new energy. The legacy acts remind the world how much swag they had, have, and still have to come. Mo3 Rises Again To Proclaim, “I’m Pac” The late rapper releases the visual to his 2019 fan favorite after the verdict in the hip-hop icon’s murder case is settled. The visual reminds fans of the generational impact that Pac had on everyone. The song is living proof that Shakur’s legacy will continue to influence the biggest names in hip-hop forever. AZ Chike & Tyler, The Creator Relive Their Favorite Movies As They “Look Like My Mama” The West Coast’s hottest new star gets a look from the region’s favorite superstar to help deliver a blockbuster debut. While their bars are unique, they blend perfectly together, and the visuals amplify the song’s popularity. T’s involvement adds to others like Pharrell and K-Dot, who will assist in making the new artist’s debut legendary. Mike Will Made-It & OJ Da Juiceman Are Ready To Cook So The “Stov3 Lit” Taking us back to the early days of trap rap, the longtime collaborators deliver a refreshing track and thank their fans for their unwavering support. The legendary Atlanta trapper keeps us entertained with his signature ad-libs, colorful wordplay, and well-known swag over the hard-hitting production. Reunited and it feels so good. TheRealSkitso, Curren$y, Tyler The Creator, OJ Da Juiceman + MORE New Music You Might Have Missed This Week TheRealSkitso Takes It Back With Styles P, M.O.P., & Kokane To Show No “Mercy” The Buffalo producer makes a grand entrance with a couple of the East Coast’s roughest and toughest emcees for the main event. One-third of The Lox brings the grit; the Brownsville boys bring the ruckus, as the pure white makes you addicted after the first listen. The track really shows no mercy, literally. J French & Curren$y Get Us In The Right “Mood” A collaboration no one expected, the Oklahoma City native hits up a New Orleans favorite to make a bold statement for his forthcoming album. “This album came to me during a dark place that I had to fight my way out of,” says French. “With everything happening in Hip Hop, from the tensions between some of our biggest artists to the racial issues and political views that continue to divide people, I felt it was necessary to give the world something with no beef, no war, and only solidarity. That is the only way I can make art, from a place of love.” “Bro hit me up and sent the track over, and I saw it was titled ‘Mood,’” says Curren$y. “I was in the middle of The Winner’s Circle tour. I put it on, vibed with it, and matched his energy. FaceTimed J French, played it for him, and he loved it. I Don’t Believe in Bad Days is how I live my life every day. I have been rocking with the homie J French for a minute.” Boosie Badazz & C-Murder Tell More ‘Hood Stories’ Together, they represent distinct chapters of Louisiana rap history. The album’s title suggests an unfiltered look at those experiences. Its songs explore relationships, violence, grief, and resilience. The 15-track album reunites the former cellmates-turned-longtime friends.