Ray J is opening up about the painful reality of missing his son’s birthday and not spending the holiday with his children. The “One Wish” singer and reality TV star is currently unable to have contact with two kids, Melody, 7 and Epik, 5, due to an extended no-contact restraining order involving his estranged wife, Princess Love. The order stemmed from Ray J’s arrest last month after an incident in which he allegedly pointed a gun at Princess during a Thanksgiving livestream.  Ray J was released on $50,000 bail and has denied aiming a weapon at her. With Christmas and the New Year approaching, Ray J says the situation feels especially unfair. The Shade Room shared a video where “Wait A Minute” reacted emotionally when asked about missing time with his kids. “Man, I don’t even want to talk about it,” he said. “I’m missing my kids. I’m missing Christmas, my son’s birthday.” In addition to missing Christmas, he will also be unable to see Epik for his upcoming sixth birthday. The tension between the former couple spilled online during a livestream. Princess confronted her estranged husband in an emotional exchange. In a reaction video, she urged him to seek professional help. “Check yourself into rehab, because you’re more than drunk,” Princess said at the time. “Everything I do, I do for my kids.” Ray J and Princess Love announced their fourth attempt at divorce last year.

Boxing legend Terence “Bud” Crawford is facing a new legal battle just days after announcing his retirement from the sport. A New York jeweler has filed a civil lawsuit seeking at least $1.5 million in damages, accusing Crawford of failing to follow through on a promotional deal tied to luxury goods. Disputed Promotion Deal The lawsuit was filed Thursday in Manhattan Civil Court by Mazza New York, a retailer that specializes in high-end jewelry and custom pieces. Court documents allege Crawford visited the store in February 2024 and expressed interest in a $139,000 Patek Philippe Aquanaut watch. The complaint says Crawford proposed paying $35,000 upfront and covering the remainder by promoting the Mazza brand on his fight trunks.  Mazza claims it agreed to the arrangement, provided the watch, and expected the boxer’s team to display the store’s logo during his bouts. But the jeweler says the first effort went awry during Crawford’s August 2024 fight against Israil Madrimov. According to the suit, the logo “had completely fallen off” by the fourth round. The complaint alleges Crawford’s representatives acknowledged the mistake and promised to fix the issue for his next major fight. But when Crawford squared off against Canelo Alvarez in September, the jeweler says the logo never appeared — despite months of coordination and delivery of both physical and digital branding materials. Mazza estimates the lost exposure from the Alvarez fight was worth roughly $1.5 million, comparing the missed visibility to premium advertising during marquee sporting events. The lawsuit claims breach of contract, conversion and unjust enrichment.  Crawford’s Retirement and Reaction Crawford, 38, retired this week with a perfect 42-0 record. In a social media video announcing his decision, he said he was “walking away as a great with nothing else left to prove.” A representative for Crawford did not immediately respond to a request for comment Friday. It was not clear whether Crawford plans to contest the allegations or reach a settlement. Attorneys for Mazza New York argue that the deal provided valuable material consideration — including a discounted watch and promotional opportunity tied to one of boxing’s biggest names. They say the company met its commitments, even flying staff to Las Vegas ahead of the Alvarez bout. The lawsuit seeks repayment of the watch, currently valued at more than $155,000, as well as compensation for lost promotional value.  The legal action adds an unexpected twist to Crawford’s post-career plans. The retired champion is widely regarded as one of boxing’s greatest fighters, and his final years in the sport drew international attention. Yet the lawsuit shines a spotlight on the industry’s commercial side, where promotional deals and contract terms can carry hefty financial stakes.

Sean “Diddy” Combs is navigating a complex legal landscape while serving time following his conviction for transporting individuals for prostitution. As part of April Lampros’ civil lawsuit, the music mogul is slated to provide a videotaped deposition from Fort Dix, New Jersey. This testimony is central to Lampros’ claims, which include allegations of sexual assault, coercion, and abuse of authority. Court documents indicate the deposition is scheduled for January 26, pending approval from prison officials. Lampros alleges that Diddy assaulted her multiple times during the 1990s and issued threats intended to prevent her from speaking publicly. Coordinating the deposition requires extensive clearance for legal personnel. These include attorneys, court reporters, and videographers. Legal representatives are also examining past business arrangements, such as the disputed transfer of ownership interest involving Bad Boy Records co-founder Kirk Burrowes in 1996. Noncompliance with deposition requirements could lead to sanctions. This would further complicate Diddy’s legal position. Serving Time and Program Participation Diddy is currently serving four years and two months in federal custody, marking a critical juncture in a highly publicized trial. It scrutinized both his personal and commercial conduct. While incarcerated, he is enrolled in the Bureau of Prisons’ Residential Drug Abuse Program. This could make him eligible for early release. These circumstances add logistical challenges to his ongoing civil obligations, including the scheduled deposition. Amid the legal proceedings, Netflix released Sean Combs: The Reckoning, a documentary produced by 50 Cent that examines allegations against the mogul. Diddy’s legal team has publicly criticized the series as a “malicious hit piece,” asserting that it misuses unauthorized footage. They claim it misrepresents events gathered over the years. In statements to The Hollywood Reporter, representatives emphasized that the portrayal is both legally and factually flawed. They call the narrative “unfair” and lacking context.

The entertainment world is grappling with the shocking deaths of director Rob Reiner and his wife, Michele Singer Reiner. Their bodies were discovered Sunday at their Los Angeles residence. Authorities have classified the incident as an apparent homicide. Moreover, their son, Nick Reiner, 32, has been arrested and is being held without bail, according to police. Early reports indicated a bail amount of $4 million. In a statement shared with the media, the family expressed their grief: “It is with deep sadness that we announce the tragic passing of Michele and Rob Reiner. This sudden loss has left us heartbroken, and we kindly request privacy during this unimaginably difficult period.” Rob Reiner was 78, and Michele Singer Reiner was 68. Emergency responders arrived at the Brentwood home Sunday afternoon, where two bodies were discovered. Their daughter, Romy, reportedly found the scene first. Multiple sources indicate that both suffered multiple stab wounds. “We extend our condolences to the family and friends of the Reiners during this tragic incident,” said Los Angeles Police Chief Jim McDonnell at a press briefing. Investigation Underway The Los Angeles Police Department’s Robbery Homicide Division is leading the investigation. Authorities are interviewing family members and other relevant witnesses to reconstruct the sequence of events. “Our experts will strive to gather all necessary facts regarding this tragic situation,” said Deputy Chief Allen Hamilton. A Legacy in Film and the Arts Rob Reiner, the son of comedian Carl Reiner, rose to fame as Michael Stivic—“Meathead”—on CBS’s All in the Family. He earned two Emmy Awards for his performance. He went on to direct films that have become cultural landmarks, including The Princess Bride, When Harry Met Sally…, A Few Good Men, Stand By Me, and This Is Spinal Tap. The film Spinal Tap II: The End Continues is a recent sequel. Michele Singer Reiner was a distinguished photographer. She captured notable works such as the cover image of President Trump for The Art of the Deal. The couple, married in 1989, had three children: Nick, Jake, and Romy. Rob Reiner was previously married to director Penny Marshall and is the adoptive father of her daughter, actress Tracy Reiner. Following the recent passing of television pioneer Norman Lear at 101, his family paid tribute to Rob Reiner, saying, “Norman often viewed Rob as a son. Both Rob and Michele dedicated their lives to making the world a better place. They passionately advocated for social justice through their work and philanthropy.” Rob’s mother, Estelle, made a memorable cameo in When Harry Met Sally…. She delivered the line, “I’ll have what she’s having.” During production, Reiner met Michele, who encouraged him to alter the ending to reflect their real-life romance. Community and Public Reactions Los Angeles Mayor Karen Bass called the deaths a profound loss. “Rob Reiner’s contributions resonate deeply within American culture. His artistic endeavors and advocacy work have touched countless lives,” she said. California Governor Gavin Newsom echoed the sentiment, recognizing Reiner’s impact on storytelling and social consciousness. “Rob’s deep capacity for empathy has crafted timeless narratives that inspire us all,” he said. Former Presidents Joe Biden and Barack Obama also offered condolences. They highlighted the couple’s influence on culture and society. Biden noted the enduring legacy of their work. Meanwhile, Obama praised Rob Reiner’s commitment to civic engagement and advocacy. Former House Speaker Nancy Pelosi described the Reiners as “remarkable” individuals whose partnership left a lasting mark. Actor Sean Astin, newly elected president of the Screen Actors Guild, emphasized Reiner’s transformative contributions to film and television. He called his cultural impact “immeasurable.” As the investigation continues, the legacies of Rob and Michele Singer Reiner—as artists, advocates, and family members—remain a central part of public memory.

Months after 14-year-old Celeste Rivas’ body was found in the trunk of an abandoned Tesla linked to artist D4vd, her family remains resolute in seeking answers. The investigation has evolved in recent weeks. This brought renewed attention to the circumstances surrounding the young girl’s death. The case continues to draw scrutiny from both the public and the music industry. It highlights its lasting emotional and cultural impact. On December 8, Robert Morgenroth, a central witness, appeared before a Los Angeles grand jury to provide insight into the ongoing inquiry. Serving as general manager of D4vd’s record label, Morgenroth faced questions regarding his actions after Rivas’ body was discovered. Authorities sought to clarify why law enforcement was not contacted sooner. They also questioned how decisions were made during that critical window. According to TMZ, Morgenroth was overheard outside the grand jury room discussing his exchanges with Deputy District Attorney Beth Silverman. He reportedly explained that he did not feel responsible for notifying authorities at the time. Instead, he was focused on keeping the tour on schedule. His remarks have fueled additional questions about priorities and accountability in the days immediately following Rivas’ death, especially considering the involvement of artist D4vd. Unanswered Questions The timeline of the tour remains unclear, particularly how it intersected with the discovery of Rivas’ body. The events occurred shortly after D4vd had launched his “Withered” world tour. This prompted investigators to examine his whereabouts and activities during that period. Every new detail adds complexity to a case already marked by tragedy and unanswered questions. Morgenroth’s testimony is part of a broader investigation into the circumstances of Rivas’ death. Authorities have reportedly named D4vd a suspect, noting his connection to the teen. They cited images allegedly showing the two together before her passing. Additionally, a previously unreleased song by D4vd referencing “Celeste” has drawn the attention of investigators. A second suspect has also emerged, though officials have not revealed their identity. The nature of D4vd’s relationship with Rivas remains unclear. Each new revelation continues to shape a case fraught with uncertainty. It leaves her family and the community seeking answers involving D4vd.

The long-awaited trial of Duane “Keffe D” Davis, the man charged with orchestrating the 1996 murder of hip-hop icon Tupac Shakur , has been pushed back until August 10, 2026. The decision marks a significant delay in a case that has captivated the music world for nearly three decades. According to court filings, Davis’ defense team requested additional time to comb through what they describe as an overwhelming amount of evidence. Prosecutors did not oppose the request, allowing the court to grant the postponement. The trial had originally been scheduled for February 9, 2026. Attorneys for Davis argue they need more time to examine decades’ worth of material, including interviews, past police reports, and statements that prosecutors plan to use at trial. Davis was arrested on September 29, 2023, and charged with first-degree murder for allegedly being involved in the drive-by shooting that killed Tupac in Las Vegas in September 1996. The arrest followed years of Davis publicly recounting his role in the events surrounding the rapper’s death, including interviews and a published memoir. Prosecutors have pointed to those statements as key evidence.

The Netflix release of Sean Combs: The Reckoning, produced by 50 Cent, has ignited widespread debate. At the center of the controversy are allegations from former male escort Clayton Howard, who claims that Sean “Diddy” Combs hosted sex parties on the anniversary of The Notorious B.I.G.’s death. In the documentary, Howard recounted that these gatherings took place every March 9, the day Biggie was killed. “Every March 9, the day Biggie was murdered, they would fly me to wherever they were,” he said, describing multi-day events filled with drinking, socializing, and intimate encounters, including one involving a person named Casandra. “I’m not sure if that was his way of coping for that day or whatever it was, but they always contacted me on March 9,” he added. Howard’s account also included more shocking details. “The most bizarre part was that they would physically collect my semen in a cup. They did this for about a year. He told me, ‘I like to see her play with it and drink it,’” he said, emphasizing the personal and unusual nature of the alleged events. Diddy’s legal team quickly responded, denouncing the documentary as a calculated attack. In a statement to The Hollywood Reporter, they described Netflix’s production as a “shameful hit piece” and claimed unauthorized use of Combs’s material. “As Netflix and CEO Ted Sarandos are aware, Mr. Combs has been compiling footage since he was 19 to share his own narrative. It is fundamentally unjust and illegal for Netflix to misappropriate that material,” they said. Legal Context His attorneys also framed the film as a personal affront, criticizing Netflix for giving creative control to Curtis “50 Cent” Jackson. “It is equally alarming that Netflix conceded creative control to Curtis ‘50 Cent’ Jackson—a long-time rival with a personal grudge who has dedicated excessive time to disparaging Mr. Combs,” they added. The documentary arrives as Diddy faces ongoing legal scrutiny, following a criminal conviction related to prostitution-related transportation charges. Despite these accusations, he has consistently maintained his innocence. As discussions around Howard’s claims continue, the broader impact on both Diddy and 50 Cent remains unclear. With its release, Sean Combs: The Reckoning has already sparked intense debate across the entertainment industry and social media, highlighting issues of power, public perception, and accountability among high-profile figures.

Artificial intelligence now moves through the culture with remarkable speed. It is reshaping how images are created and consumed while raising new concerns about authenticity. That shift is especially visible in the case of Diddy, whose public image is being recast not through documented events but through digitally invented ones. In recent months, Diddy has become a frequent subject of online commentary, from courtroom sketches shared for laughs to jokes about his appearance. That familiar cycle of mockery has deepened. Creators circulate lifelike, AI-generated images depicting him inside prison. These fabrications have introduced a new layer of distortion—pictures that appear intimate and spontaneous yet are entirely untethered from reality. TMZ recently published several of these composites. They show a smiling Diddy interacting with imagined inmates, snapping selfies, or embracing others in scenes that resemble candid photography. Their level of detail gives them the weight of truth, even though they are wholly manufactured. Their rapid spread online has raised concerns about how manipulated images quickly shape public perception. AI Images Blur Reality Ahead of Diddy’s Netflix Spotlight Many of the AI renderings depict Diddy with greying hair and a full beard, a look first suggested by earlier courtroom drawings. As the images gained traction, his spokesperson, Juda Engelmayer, issued a sharp rebuke. “These images are not real. They are A.I. fabrications. Sean has always treated people with kindness and respect. However, it’s alarming how frequently manipulated or A.I.-generated images are being introduced into discussions while he is incarcerated. None of these altered photos reflect reality,” she said. Another major moment for Diddy is approaching with the release of Sean Combs: The Reckoning, a Netflix docuseries produced by 50 Cent. The series includes interviews with people from different chapters of Combs’s life, including jurors from his most recent trial. Despite their long and very public feud, 50 Cent told The New York Times that the project is not rooted in personal rivalry. “It’s not personal. If I didn’t say anything, you would interpret it as Hip-Hop is fine with his behaviors,” he said. The collision between synthetic images and real-world consequences lays bare a central dilemma of the digital age. Visuals that feel authentic can travel far faster than the truth.

In a landmark moment for Detroit sports and music, Eminem and Jack White shared the stage for the first time during the Detroit Lions’ Thanksgiving Day halftime show against the Green Bay Packers. The performance united two of the city’s most celebrated musicians in a collaboration that sent the stadium into a frenzy. Eminem, a lifelong Lions supporter, partnered with his manager, Paul Rosenberg, to orchestrate the event. Fans were treated to Jack White’s powerful set, featuring a mix of his iconic solo work and hits from his time with The White Stripes. The crowd’s energy reflected a celebration of Detroit’s enduring musical influence. The show reached new heights when Eminem made a surprise entrance, marking the pair’s first-ever performance together. Billboard coverage noted a seamless transition from White’s emotive “That’s How I’m Feeling” into a mashup pairing Eminem’s “Till I Collapse” with White’s “Hello Operator.” Social media clips quickly circulated, capturing the audience’s rapturous reaction to the historic collaboration. Eminem joins Jack White on stage for the NFL Thanksgiving Halftime Show! pic.twitter.com/gtIkusVtWR — TSN (@TSN_Sports) November 27, 2025 Eminem and White Rock Ford Field White intensified the energy with his anthem “Seven Nation Army,” reinforcing its status as a stadium classic. For many attendees, the performance offered more than entertainment—it provided a welcome break from the usual celebrity controversies surrounding Eminem, including ongoing copyright disputes. Rosenberg highlighted the significance of the collaboration, saying, “It’s an honor for us to team up with the Lions and be a part of the greatest tradition in Detroit sports. We look forward to putting together unforgettable shows featuring world-class artists for the fans at Ford Field and the tens of millions watching around the country.” Plans are already in motion for additional high-profile halftime events through 2027. Both artists recently celebrated inductions into the Rock and Roll Hall of Fame—Eminem in 2022 and White this year. During White’s ceremony, André 3000 delivered a heartfelt tribute, underscoring the close-knit connections within the music community.

Even behind bars, Kay Flock hasn’t forgotten the Bronx. In an exclusive HOT97 interview, the rapper opened up about organizing a Thanksgiving turkey drive for families in need, while his mother, Momma Flock, has been the bridge between his vision and the community he grew up in. “This week is all about giving back and blessings,” Kay Flock said. “Thanksgiving is coming, and I want to give back to my community and help out as much as I can.” Momma Flock smiled as she recalled the conversation: “He wants to make sure the shelters always have what they need. He’s seen the struggles, and he remembers what it’s like to need help.” “All of the blessings I’ve been receiving, it’s only right to give it back to those who need it most,” Kay added. “I know a lot of families out there who are struggling, and I know the struggle myself, so I want to do everything in my power to give back. As long as I can, I’ll always look out for my community.” Kay Flock: Music Meets Community in the Bronx Even from prison, he is hands-on. He coordinates the event through phone calls, social media, and the support of his family. “I have to give thanks to my mother and my family—they’ve always supported me tremendously,” Kay said. “They helped me arrange this event. I feel that events like this help bring everyone together.” Momma Flock adds, “He’s always been that way—helping people carry groceries, moving things, anything someone needed. Even neighbors he didn’t know. One neighbor said, ‘Oh my god, your son is such a blessing. You don’t even know him, and he’s helping me.’ That’s who he is.” For Kay, music and community work are inseparable. “He keeps moving forward and wants to help others do the same. The better you do, the better you get. The worse you do, the worse you get,” Momma Flock explained. Collaborations with artists like Cardi B have inspired him further. “She’s amazing, so friendly, so down to earth. Her working with my son was incredible. He’s inspired by seeing people from our neighborhood give back and lift others.” Kay Flock Eyes Bronx Legacy, Promises Support and Hope for Youth Looking ahead, Kay envisions a lasting impact on the Bronx. “He’s always talking about ways to help young kids, using his experiences to make a change,” Momma Flock said. “Once he’s out, he wants to own a space for youth, be there every day, talk to them, make sure they know they have support.” Kay added a personal message to the community: “Stay positive. Stay prayed up. Stay humble with the outcome of the situation and keep the vibes high. I love y’all!” Legal advocate Allen DeWane emphasized the significance of these efforts: “If he can do this from behind bars, just imagine what he’s going to be able to do when he’s released. He’s thinking about what’s best for our society—and for the kids who need guidance and hope.” Momma Flock summed it up perfectly: “He’s loving. He wants everybody to win. He’s grown, he’s learned, and he wants the world to be a better place.” From his Bronx roots to this Turkey Drive, Kay Flock’s dedication to his community is clear—and for those who know him, it’s only the beginning.