On a recent episode of the Million Dollaz Worth Of Game podcast, Lizzo reflected on the roots of hip-hop. She highlighted the genre’s struggle for recognition within a music industry long dominated by established players. Her comments offered insight into the challenges faced by Black artists, particularly around sampling—a practice central to hip-hop’s identity and creative innovation. Speaking with hosts Gillie and Wallo, Lizzo explored hip-hop’s complicated relationship with sampling. By borrowing sounds, rhythms, and melodies from existing recordings, artists have built the foundation of the genre. Yet she emphasized that copyright laws have often constrained Black creativity rather than safeguarding it. Recalling Biz Markie’s legal battles over “Alone Again,” Lizzo noted how disputes like his led to albums being pulled from stores. These actions reveal the broader consequences of restrictive sampling rules on Black musicians. Tracing the earliest pioneers of sampling to Black rappers of the 1980s and ’90s, Lizzo highlighted the ingenuity behind the practice. “They were sampling records because they didn’t have access to big studios,” she said. Many repurposed their parents’ vinyl to forge new sounds, often without formal musical training. “They were just outside, just like, ‘OK, this is just what it is.’ And then hip-hop was born, and it was this beautiful thing,” she added. This underscored the genre’s organic and innovative beginnings. Policing Black Creativity Reflecting on contemporary perceptions, Lizzo criticized the framing of sampling as theft. “The theft of it all, putting theft on Black culture, that’s the part that kind of turns me off,” she said. For her, sampling is a legitimate and essential creative practice, embedded in hip-hop’s DNA. Yet, it is often mischaracterized as criminal. She suggested that these restrictions may have racial undertones, functioning as a means to limit Black artistic expression. Fans can also expect Lizzo’s involvement on Cardi B’s forthcoming album, Am I The Drama?, set for September 19. The collaboration hints at further explorations across hip-hop, pop, and R&B. It signals the evolution of her artistry while honoring the foundational roots of the genre.

According to Billboard Canada, The Weeknd has set the record for most performances by a Canadian artist at one of Toronto’s biggest stadiums — the Rogers Centre, which also houses the Toronto Blue Jays. The singer performed four shows on his After Hours Til Dawn Tour at the Rogers Centre, which began on Thursday, August 7. The outlet also reported that he set the record for “most shows at the venue by a male solo artist on the same tour.” This trek would count as The Weeknd’s seventh concert tour. The stadium tour was in support of his fourth, fifth, and sixth studio albums: After Hours (2020), Dawn FM (2022), and Hurry Up Tomorrow (2025). This tour serves as a victory lap for the “Timeless” singer and marks the end of his Weeknd era. View this post on Instagram A post shared by NFR Podcast (@nfrpodcast) Last month, The Weeknd was awarded the ultimate honor from his hometown of Toronto by receiving the Key to the City and a citywide proclamation of “The Weeknd Weekend” from July 26-27.  Complex reported that the City of Toronto recognized” the pop star actor for his accomplishments as a singer-songwriter and producer, his enduring humanitarian efforts, and his dedication to giving back to his city.” During the private ceremony, The Weeknd was presented by Toronto Mayor Olivia Chow, who was attended by youth from West Scarborough and The Weeknd’s alma mater, Birchmount Park Collegiate Institute. “I’m deeply honored to receive the Key to the City. It feels good to be home,” The Weeknd said. “Toronto is where I found my voice, and I’m committed to helping the next generation find theirs. That’s why I’m proud to support the Boys & Girls Club of West Scarborough and my former high school, Birchmount Park, providing youth with the means to unlock their full potential.”

Is there anything that Queen Bey can’t do? Whether it’s sparking online debates or shattering Grammy records, Beyoncé has more than proven herself worthy of all her accolades. So it’s no surprise that when Billboard released its “The 75 Best R&B Artists of All Time” list, Beyoncé ranked high among her peers. Landing at No. 4 on the list, the Renaissance singer follows behind icons like Michael Jackson (No. 3), Aretha Franklin (No. 2), and Stevie Wonder (No. 1). The late, legendary, singer and diva, Whitney Houston, rounded out the group at No.5. The criteria for ranking included “vocal prowess, body of work, career longevity, industry achievements, game-changing influence, and enduring generational/cultural impact.” “Billboard’s Greatest Pop Star of the 21st Century also happens to be one of the Best R&B Artists of All Time. In fact, it’s her dedication to her R&B foundation that has helped her become one of music’s most innovative, impactful, and impressive artists,” the outlet wrote. “The 35-time Grammy-winning Houstonian first hit the Billboard charts as the lead vocalist of Destiny’s Child, the girl group in which she honed her now-signature staccato rap-singing, a vocal approach that can be heard in virtually every contemporary R&B song today.” Beyoncé has been named the #4 ‘Best R&B Singer of All-Time’ by Billboard staff. pic.twitter.com/bFcg8myACW — Pop Tingz (@ThePopTingz) June 19, 2025 Other notable artists included in the list include: James Brown (No.6), Prince (No.7), Mariah Carey (No.8), R.Kelly (No.9), and Marvin Gaye (No.10). Last December, Billboard crowned Queen Bey as the greatest pop star of the 21st century. The publication said she’s “the century’s biggest pop star based on her full 25 years of influence, evolution, and impact.” “The reasons why Beyoncé captured the top spot on our list were beyond numerous. Ranging from her 25 years of timeless albums and singles to her incalculable industry impact and influence on other artists, to her peerless raw talents as a singer and performer.” Billboard said. “Few artists this period can match her in any of the most critical basic categories of pop stardom. Commercial success, performance abilities, critical acclaim and accolades, industry influence, iconic cultural moments – and absolutely no one can equal her in all of them,” Billboard continued.

Atlanta’s hip-hop scene is once again confronting questions of loyalty, forgiveness, and public accountability as familiar relationships come under renewed scrutiny. Signals from Young Thug and 21 Savage have reopened conversations about unity, even as Gunna’s position remains uncertain following his plea deal connected to the YSL RICO case. The mood across the city’s rap community is measured, balancing optimism with restraint. For many fans, this feels less like resolution and more like a pause before difficult decisions are made. That tension sharpened when Young Thug addressed 21 Savage directly on social media, writing, “Fk the streets @21savage.” The remark came after 21 Savage publicly urged reconciliation between Thug and Gunna, challenging the rigid codes that have long governed hip-hop disputes. In a separate post, 21 Savage made his stance unmistakable: “@gunna @youngthug Y’all n*as fix that s**t… you know he wasn’t tryna leave you to hang.” The exchange quickly rippled through the industry, drawing sharp reactions from supporters and skeptics alike. Despite the sharp language, Young Thug’s response to 21 Savage carried warmth, if not clarity. There has been no public indication that he has reached out to Gunna or that a broader reconciliation is underway. Instead, the silence between the two artists continues to fuel debate. In Atlanta hip-hop, absence often speaks as loudly as confrontation. View this post on Instagram Loyalty, Accountability, and a Public Divide Young Thug and 21 Savage now sit at the center of a wider argument about consistency and credibility in rap culture. Critics question whether calls for unity can hold weight without reckoning with past choices and alliances. Supporters counter that growth requires abandoning cycles of punishment and retaliation that have defined too many chapters of the genre. The divide reflects a culture wrestling with its own maturation. For many observers, any meaningful path forward hinges on whether Young Thug and Gunna can resolve their rift directly. Without that step, skepticism is likely to persist, regardless of gestures made elsewhere. Even reconciliation, should it arrive, may invite continued criticism in a genre trained to interrogate motive as much as outcome. Elsewhere, 21 Savage has modeled a different approach. After a brief online clash with Future, the two artists quickly diffused tensions with an apology and a FaceTime call. The moment offered a reminder that conflict in hip-hop does not have to calcify. Repair, when pursued earnestly, can still happen in real time.

21 Savage turned to X to advocate for unity between Young Thug and Gunna, invoking their shared history and the value of loyalty. “Y’all need to work this out. You’ve shared love, and Gunna never aimed to betray you,” he wrote, framing the dispute as a personal rift rather than a public spectacle. He highlighted the emotional toll of prolonging conflict and stressed that loyalty should guide their choices, even amid disagreement. Addressing Lil Baby, he broadened the conversation to emphasize responsibility within their community. He suggested that acknowledging missteps is part of sustaining trust. “Admitting our brother was swayed is part of loyalty,” he said, reinforcing accountability as an act of care. The post resonated widely, drawing attention from both fans and fellow artists invested in Atlanta’s hip-hop scene. The following day, Young Thug responded in a manner that was personal but indirect. While he did not explicitly reference the call for reconciliation, his words carried warmth and openness. “I love you, my brother, you’ve always been there for me,” he tweeted, signaling a willingness to engage rather than close the door. As of now, 21 Savage has not replied publicly. @21savage I love u my brada, u always been with me. — Young Thug ひ (@youngthug) December 18, 2025 Young Thug’s Subtle Response Prior to this exchange, Young Thug had made remarks perceived by some as critical of Gunna, suggesting feelings of betrayal and tension. Gunna responded thoughtfully via Instagram, reflecting on integrity and resilience. “The true measure of strength lies in maintaining a compassionate spirit when life tests you,” he wrote, choosing reflection over confrontation. The timing of the post suggested it was aimed at addressing the ongoing dynamics. The dialogue between these artists highlights the complex interplay of loyalty, growth, and accountability in Atlanta hip-hop. Fans and peers continue to watch closely, hoping that reflection may lead to reconciliation. For now, the story remains unresolved, with the conversation shaped as much by careful silence as by the statements themselves.

Young Thug is taking stock of hip-hop’s current moment, and his verdict is unsparing. In recent comments, the Atlanta rapper suggested the genre is not meeting its creative ceiling, arguing that too many artists are coasting while audiences demand sharper ideas and stronger execution. Rap, he said, feels stalled at a time when technology and culture are moving at a rapid pace. For Young Thug, that disconnect has become increasingly difficult to ignore. Asked about the ongoing friction between Kendrick Lamar and Drake, he framed the rivalry as a drag on the music rather than fuel for it. In a widely shared video, he said, “I’ve always wanted to create this kind of music, but I feel like rap is in a strange place right now. It seems like everyone is feuding… When two of the biggest artists clash, it creates a significant ripple effect. It feels off. I believe it’s time for change; we need to elevate our game. Like AI—everything else is advancing except hip-hop.” His point was less about taking sides and more about what gets lost when conflict dominates the conversation. Young Thug also floated a more radical idea: a broader shift in how hip-hop presents itself to the mainstream. “I think we really need this shift. I would be thrilled if hip-hop transitioned into pop,” he said. The comment reflects his long-standing openness to genre-blurring and commercial experimentation. It also signals a belief that growth may require abandoning rigid definitions of what rap is supposed to be. Young Thug says Hip Hop is in a weird place and an all time low right now after the Kendrick Lamar and Drake beef: “Everybody in the world leveling up right now except for hip-hop. it’s bad right now” pic.twitter.com/bGqCZi2ri2 — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) December 17, 2025 Where Young Thug Stands in the Drake–Kendrick Debate While calling for change, Young Thug’s own history complicates the discussion. During a livestream last October, he publicly favored Drake, saying the Toronto artist’s influence on music eclipses Kendrick Lamar’s. That perspective continues to shape how listeners interpret his critique of the feud. It highlights the tension between cultural reach and critical acclaim that has long defined debates in hip-hop. His frustration with rap beef is shared by others in the genre, including 21 Savage. Addressing the topic, Savage said, “I don’t really believe in rap beef… If you say something specific about me in a song, I’mma confront you when I see you. You’re going to have to back up your words when we meet.” Taken together, the comments point to a broader weariness with performative rivalries. For these artists, the future of hip-hop may depend less on spectacle and more on evolution.

Kay Flock, the Bronx rapper born Kevin Perez, was sentenced this week to 30 years in federal prison. He was convicted on charges tied to racketeering conspiracy, attempted murder, and firearms offenses. The sentence, which also includes five years of supervised release, follows a March verdict. Prosecutors said this verdict linked Kay Flock to a pattern of gang-related violence. He is 22 years old. Federal authorities framed the case as a necessary intervention in a cycle of retaliatory shootings. U.S. Attorney Jay Clayton said Kay Flock used both violence and visibility to project fear across the Bronx. “Kevin Perez employed violence and his celebrity status to instill fear throughout the Bronx,” Clayton said. He added that the conduct put bystanders at risk and contributed to instability in the neighborhood. Clayton also pointed to Kay Flock’s rise in music as amplifying the impact of his actions. He said lyrics tied to Kay Flock were used to demonstrate intent and affiliation. The artist’s growing platform, he argued, intensified his notoriety. Law enforcement officials praised the outcome as a step toward curbing organized violence. Kay Flock responded to the sentence with a brief public statement, thanking supporters and members of the court. “I want to thank everyone who stood by me and kept me in their prayers,” he said. He also acknowledged the judge and his attorney, Michael Ashley. “Even though we are still fighting because it ain’t over until Allah says it’s over.” Defense disputes sentence and evidence, plans appeal Michael Ashley, Kay Flock’s defense lawyer, challenged both the length of the sentence and the government’s legal approach. He said Kay Flock had previously been offered a 30-year term tied to a murder charge for which he was later acquitted. He called the current punishment excessive by comparison. Ashley argued that seeking a decade or more in prison for a shooting in which no one was injured pushed beyond what the facts supported. He also objected to the prosecution’s use of rap lyrics in court, describing the practice as inappropriate and misleading. Ashley said the government relied not only on Kay Flock’s music but also on lyrics from other artists to construct its narrative. He said this tactic blurred the line between creative expression and criminal evidence. According to Ashley, such arguments risked distorting artistic work into proof of intent. Looking ahead, Ashley confirmed that the defense plans to continue fighting the case. He said his team has reviewed the record for potential legal issues and intends to file an appeal. For now, Kay Flock remains in federal custody as the case moves into its next phase.

In a recent discussion with Joe Budden, Nas reflected on his work following the release of “Light-Years,” his collaborative project with DJ Premier. The conversation touched on creative decisions. It included a notable moment involving Eminem, who declined Nas’s request to feature on the track “Daughters.” Nas explained that Eminem had reached a point of saturation with songs about his relationship with his daughter, Hailie. “Not every record I create is a competition,” Nas said, giving context to the exchange, as reported by Hip-Hop-N-More. He emphasized how personal and deliberate artists are when exploring intimate themes in their work. He elaborated, “I forwarded the track ‘Daughters’ to Eminem. At that moment, he had invested significant thought into the theme of fatherhood in his music. He acknowledged my effort but clarified, ‘I told my daughter I’m not making any more songs specifically about daughters right now. It’s a delicate topic given all the music I’ve released.’” The interaction underscores the care prominent artists apply when navigating personal subject matter. Nas Reveals How Eminem Welcomed His ‘Daughters’ Feature Request Nas also highlighted Eminem’s appreciation for the gesture: “He expressed thanks because many artists aim to craft songs that position themselves against him. I found this response refreshing as it diverged from the usual competitive atmosphere.” The exchange demonstrates that respect and professional courtesy can guide collaboration. This holds true even among high-profile figures. The track “Daughters,” from Nas’ tenth studio album “Life is Good” (2012), delves into the complexities of fatherhood through candid lyrics. “Took her from private school so she can find balance / To public school; they nurture teen talents too / They grow quickly; one day she’s your little princess / The next day she’s discussing boy matters – what is this?” he raps. This reflects the rapid shifts and challenges inherent in parenting. The conversation coincided with the release of “Light-Years,” which highlights Nas’ enduring chemistry with DJ Premier. The album includes standout tracks such as “My Story Your Story,” featuring AZ. It also introduces a third installment of the classic “N.Y. State of Mind.” The project blends timeless storytelling with contemporary beats, reaffirming the duo’s influential presence in hip-hop.

The entertainment world is grappling with the shocking deaths of director Rob Reiner and his wife, Michele Singer Reiner. Their bodies were discovered Sunday at their Los Angeles residence. Authorities have classified the incident as an apparent homicide. Moreover, their son, Nick Reiner, 32, has been arrested and is being held without bail, according to police. Early reports indicated a bail amount of $4 million. In a statement shared with the media, the family expressed their grief: “It is with deep sadness that we announce the tragic passing of Michele and Rob Reiner. This sudden loss has left us heartbroken, and we kindly request privacy during this unimaginably difficult period.” Rob Reiner was 78, and Michele Singer Reiner was 68. Emergency responders arrived at the Brentwood home Sunday afternoon, where two bodies were discovered. Their daughter, Romy, reportedly found the scene first. Multiple sources indicate that both suffered multiple stab wounds. “We extend our condolences to the family and friends of the Reiners during this tragic incident,” said Los Angeles Police Chief Jim McDonnell at a press briefing. Investigation Underway The Los Angeles Police Department’s Robbery Homicide Division is leading the investigation. Authorities are interviewing family members and other relevant witnesses to reconstruct the sequence of events. “Our experts will strive to gather all necessary facts regarding this tragic situation,” said Deputy Chief Allen Hamilton. A Legacy in Film and the Arts Rob Reiner, the son of comedian Carl Reiner, rose to fame as Michael Stivic—“Meathead”—on CBS’s All in the Family. He earned two Emmy Awards for his performance. He went on to direct films that have become cultural landmarks, including The Princess Bride, When Harry Met Sally…, A Few Good Men, Stand By Me, and This Is Spinal Tap. The film Spinal Tap II: The End Continues is a recent sequel. Michele Singer Reiner was a distinguished photographer. She captured notable works such as the cover image of President Trump for The Art of the Deal. The couple, married in 1989, had three children: Nick, Jake, and Romy. Rob Reiner was previously married to director Penny Marshall and is the adoptive father of her daughter, actress Tracy Reiner. Following the recent passing of television pioneer Norman Lear at 101, his family paid tribute to Rob Reiner, saying, “Norman often viewed Rob as a son. Both Rob and Michele dedicated their lives to making the world a better place. They passionately advocated for social justice through their work and philanthropy.” Rob’s mother, Estelle, made a memorable cameo in When Harry Met Sally…. She delivered the line, “I’ll have what she’s having.” During production, Reiner met Michele, who encouraged him to alter the ending to reflect their real-life romance. Community and Public Reactions Los Angeles Mayor Karen Bass called the deaths a profound loss. “Rob Reiner’s contributions resonate deeply within American culture. His artistic endeavors and advocacy work have touched countless lives,” she said. California Governor Gavin Newsom echoed the sentiment, recognizing Reiner’s impact on storytelling and social consciousness. “Rob’s deep capacity for empathy has crafted timeless narratives that inspire us all,” he said. Former Presidents Joe Biden and Barack Obama also offered condolences. They highlighted the couple’s influence on culture and society. Biden noted the enduring legacy of their work. Meanwhile, Obama praised Rob Reiner’s commitment to civic engagement and advocacy. Former House Speaker Nancy Pelosi described the Reiners as “remarkable” individuals whose partnership left a lasting mark. Actor Sean Astin, newly elected president of the Screen Actors Guild, emphasized Reiner’s transformative contributions to film and television. He called his cultural impact “immeasurable.” As the investigation continues, the legacies of Rob and Michele Singer Reiner—as artists, advocates, and family members—remain a central part of public memory.

Famous Dex’s latest appearance online has shifted the tone surrounding his name, offering fans a glimpse of hope after years of worry. Once one of the most talked-about rising artists of the late 2010s, with hits like “PICK IT UP,” “JAPAN,” and his involvement with Rich Forever alongside Rich The Kid and Jay Critch, Dex’s momentum was overshadowed throughout the 2020s by ongoing concerns about his health and well-being. View this post on Instagram The first major sign that Dex was trying to regain control came in late 2020, when he voluntarily entered rehab. He remained there until January 2021, but the progress was short-lived. Legal trouble, a prison sentence, and repeated battles with addiction made it difficult for him to move forward. In 2023, he briefly resurfaced looking healthier, only for 2024 to bring more alarming posts that left fans feeling helpless and unsure if improvement was possible. New footage posted by Live Bitez reveals a completely renewed version of Famous Dex. He looks noticeably clearer, more energized, and genuinely positive as he lets viewers know he’s back on his sobriety journey. In the clips, he even walks fans through his new mansion, closing the video with a warm message to everyone watching. The response online was overwhelmingly supportive. Fans pointed out how much more coherent and healthy he seemed compared to past appearances. Others celebrated how good it was to see him alert and present, especially given how difficult recent years have been for him. Many praised his continued fight against addiction, sending love and encouragement as he appears to step into a more stable chapter of his life. Despite the optimism surrounding his recovery, Dex is still vocal about a lingering issue involving past collaborators. Last month, he accused Rich The Kid of failing to pay him for his contributions to Rich Forever 5, saying, “I never thought I would make a video like this… Where my money from Rich Forever 5? Where, where is my money at?” He emphasized how unfair the situation felt and reminded fans, “Me and you and Jay Critch. We was the sh*t.” For now, fans are hoping this new chapter marks lasting stability for Dex after years of turbulence.