The ongoing rivalry between 21 Savage and Tekashi 6ix9ine has once again drawn attention within the hip-hop world. The most recent exchange unfolded during 21 Savage’s conversation on Perspektives With Bank. He discussed his new album, What Happened To The Streets?, and offered pointed commentary on 6ix9ine. 21 Savage framed 6ix9ine as an example of how social media can rapidly elevate and diminish careers. “The rat boy who was wearing lace fronts and st,” he said, referencing 6ix9ine’s controversial persona. He added that 6ix9ine’s trajectory—from prominence to near-obscurity—illustrates how public perception can shift quickly. “Ain’t no gas in the car, n*a, what you mean he just stopped?” 6ix9ine responded on Instagram with a comedic skit shared by Kurrco, portraying himself as the “King of England.” The skit parodied 21 Savage’s UK background while engaging with past comments on immigration. In the video, the 21 Savage impersonator jokes, “I know Jay-Z. I can call Jay-Z. I’m begging you, I’ll do anything. You can have my chain,” highlighting the pressures artists face to assert influence and maintain credibility. 6ix9ine responds to 21 Savage dissing him on Big Bank’s podcast: “next time you say the ‘mexican’ justsay my name because the Mexicans would smack the f*ck out u @/21savage you bloody wanker ” pic.twitter.com/sB9rE8SY5d — Kurrco (@Kurrco) December 12, 2025 The Feud’s Context As the sketch progresses, 6ix9ine declares that 21 Savage will never obtain U.S. citizenship. He mixes humor with pointed commentary on cultural identity. The exchange demonstrates 6ix9ine’s use of parody to reassert his public persona, even as it fuels the ongoing public feud. The tension between the two artists has been building for years. There are repeated barbs about personal histories and professional trajectories. Lately, 6ix9ine has directed criticism toward 21 Savage’s Atlanta roots. This reflects a broader pattern in which he challenges artists linked to the city’s hip-hop scene. In a recent interview with DJ Vlad, 6ix9ine joked about plans to “marry Latto” to secure a green card. This reinforces his reputation for provocative statements. Combined with the ongoing back-and-forth with 21 Savage, it is clear that this public feud is far from resolved.

The release of Sean Combs: The Reckoning, the Netflix docuseries executive produced by 50 Cent, has set off a new round of scrutiny and reopened long-standing tensions across the hip-hop world. Though Jay-Z has not commented publicly on the series or on 50 Cent directly, the documentary’s arrival has stirred broader speculation about old rivalries resurfacing. For 50 Cent, whose career has often played out under the glare of public conflict, the renewed attention feels like another chapter in a well-worn saga. The project has also pushed his fractured history with Ja Rule back into the spotlight. Online speculation accelerated after Ja Rule appeared to follow 50 Cent’s former partner on Instagram—a seemingly small gesture that fueled theories about shifting alliances. One circulating comment warned that Ja Rule, Jay-Z, and Roc Nation were preparing to “attack,” a claim 50 Cent dismissed with a deadpan quip: “My momentum makes them all get together. LOL.” Whether the revived chatter signals a meaningful escalation or simply another flare-up in an era of performative online feuds remains uncertain. Still, 50 Cent’s steady stream of pointed posts has kept the conversation alive, ensuring that the disputes surrounding the documentary continue to orbit him. View this post on Instagram 50 Cent Faces Accusations Amid Intensifying Feuds Even as he maintains a posture of sharp criticism toward fellow artists—including calling Jay-Z “competitive” in a past interview—50 Cent is confronting new allegations of his own. Ja Rule has accused him of mistreating women, referencing claims previously made by the rapper’s former partner Daphne Joy. 50 Cent has yet to offer a full public response, leaving the accusations to circulate alongside the broader frictions that have shaped this latest moment in his public battles.

Miguel’s return to the spotlight with his new album Caos marks the end of an eight-year stretch without a full-length release, but he’s already setting his sights on what comes next. The singer revealed in a recent Genius interview that another completed album is sitting in the vault, and he believes it surpasses the one he just dropped. When asked whether fans should expect another long pause between albums, he responded immediately: “No.” He went on to share that the unreleased music is “better” than Caos, and that if he had the power to move freely, fans would already have a release date. “If it was up to me, I’d put another album out before the tour starts,” he explained. However, Miguel says label restrictions are holding everything up. Because of contractual terms with RCA Records, he isn’t allowed to release new music until late next year. Although he acknowledges there are people at RCA who “understand and want to do the right thing,” he believes the structure of his current deal is fundamentally flawed. “I would sooner release it independently than to allow them to pick up the deal without it being a fair deal,” he said. “And it’s not a fair deal, and I’m happy to go on record about that.” For Miguel, the conflict is part of a broader industry pattern he no longer wants to accommodate. He has ownership of his intellectual property, and the next phase of his career, he says, needs to be centered on independence. “There’s absolutely things that need to happen that I would prefer to happen as an independent artist,” he added. Looking ahead, he hopes to use the next decade to uplift other creatives. “My next 10 [years] is me really taking what I’ve learned and hopefully educating and stewarding other artists,” he said. Releasing Caos after so many years stirred emotions he hadn’t expected. “It’s been such a long time since I put music out that I forgot how you can never explain or expect all of the emotion,” he shared. The response from his peers has been overwhelming. “I’ve gotten more notes about this album … than I’ve ever gotten for any of my projects,” he said. “It’s been really, really dope, and it’s a really endearing and reassuring thing.”

As 2025 draws to a close, 21 Savage is ready to reemerge with highly anticipated new music. After months of relative quiet, the Atlanta rapper teased a release this Friday with a simple post on X: “Friday !” The brief announcement has fueled speculation about the themes and sound of his latest project. His Apple Music profile now features a pre-save link for WHAT HAPPENED TO THE STREETS?, a title that echoes an acronym he recently highlighted at Art Basel in Miami. During the event, a massive inflatable sculpture by Nigerian artist Olaolu Slawn displayed the letters “WHTTS,” sparking immediate conversation among fans eager to decode the album’s meaning and direction. Fans have been waiting for a substantial solo release, as Savage’s activity this year primarily consisted of guest features on tracks like Lil Baby’s “Outfit” and Summer Walker’s “Get Yo Boy.” His last album, american dream, arrived in early 2024 and produced standout tracks including “redrum,” “nee-nah,” and “should’ve wore a bonnet.” That project contained 15 songs, while WHAT HAPPENED TO THE STREETS? appears to be slightly leaner, featuring 14 tracks. As with his previous releases, Savage has kept details about song titles and collaborators tightly under wraps, leaving fans to speculate in anticipation of the full rollout. Friday ! — Saint Laurent Don (@21savage) December 8, 2025 Who Will Collaborate on the Album? Savage has a history of revealing guest artists only at the time of release, and observers expect a similar approach this week. The upcoming album follows a chart-topping predecessor that sold 133,000 units in its first week—Savage’s fourth number-one album—raising expectations for its commercial performance. Whether this new project will surpass those numbers remains uncertain. Hints of potential features have surfaced subtly. Travis Scott recently reshared the album’s teaser on his Instagram Story, sparking rumors of a collaboration. Moreover, given the provocative title and recent exchanges between Savage and 6ix9ine, listeners anticipate bold lyrics and possibly a pointed musical rebuttal woven into the tracks. With WHAT HAPPENED TO THE STREETS? set to arrive this Friday, excitement is building around both the music and the stories it may tell. Fans await the release to see how 21 Savage charts his next chapter and whether the album will signal a new artistic direction for one of hip-hop’s most influential voices

Victoria Monét, a rising force in contemporary R&B, has captured attention by revealing her desire to work with Drake. The announcement is particularly striking given her previous admiration for Kendrick Lamar, prompting a range of reactions from fans and industry insiders alike. Her comments reflect the complex balance of loyalty, artistry, and strategy that defines today’s music landscape. During her appearance on Angel Reese’s podcast, Unapologetically Angel, Monét conveyed her excitement about the potential partnership. “I still want to work with Drake. Love Drake. Yeah, he’s amazing,” she said. Reese’s enthusiastic response, “As you should,” reinforced Monét’s enthusiasm and underscored the shared anticipation for the collaboration. The statement quickly reverberated through Drake’s fanbase, generating both excitement and cautious speculation. While listeners eagerly anticipate new music from the Canadian rapper, Monét’s previous alignment with Kendrick Lamar complicates the narrative. Fans debated online whether she should maintain allegiance to Lamar’s camp, given the longstanding rivalry between the two hip-hop icons. Monét’s interest also raises broader questions about reconciliation and collaboration in the industry. Could a partnership with Drake bridge divides between fan communities, or has too much time passed to overcome past tensions? As an artist respected by both camps, Monét may hold a unique position to foster creative dialogue and innovation across genre boundaries. what happened to her repping the west coast last year https://t.co/VF4WtnIiAm — §osa (@sosavrse) December 5, 2025 Anticipation Mounts for Drake’s Upcoming Album ICEMAN At the same time, the music world is abuzz over Drake’s forthcoming album, ICEMAN. Though an official release date has not yet been confirmed, many expect a 2025 debut. In an email interview with Complex, Drake hinted at a livestream event to preview the project, fueling excitement among fans. The discussions surrounding ICEMAN highlight the intensity of loyalty and rivalry in contemporary hip-hop and R&B. Speculation about potential collaborations drives conversation about how artists and fanbases might intersect in new ways. With Drake and Kendrick Lamar at the center of these dynamics, Victoria Monét’s aspirations could serve as a catalyst for unity and creative exploration in a genre often shaped by division.

Recent reports have reignited speculation about the relationship between Beyoncé and Brandy, two of the music industry’s most iconic figures. The conversation escalated when Ray J took to Instagram to express frustration over what he perceived as a lack of recognition for his sister during her recent tour with Monica. In his candid posts, Ray J called on Beyoncé and Jay-Z to acknowledge Brandy at her performances. “N****a need to pull up when they pull up to the show,” he wrote, adding, “I don’t like that.” At the same time, he expressed admiration for the couple, noting, “I love you, Jay, and I love you, Bey. Y’all are the two biggest stars in the world.” He clarified that his comments came from a personal place, emphasizing, “THIS IS COMING FROM THE HEART!! And I LOVE MY FAMILY AND I LOVE JAY AND BEY!!” Ray J also acknowledged that his remarks might provoke discussion, but he insisted they stemmed from love and respect. A History of Distance Sources close to both artists suggest that the relationship between Beyoncé and Brandy has long been distant. While there were moments in the past when the two shared a friendlier connection, over time, that bond appears to have faded. The evolution of Beyoncé’s career and rising prominence in the industry may have contributed to a shift in dynamics, creating tension amid professional and personal pressures. Despite their enduring status as cultural icons within R&B and pop, maintaining a close relationship has proven challenging. The gap between public perception and private reality highlights how fame and career demands can strain even the most promising connections. As of now, neither Beyoncé nor Brandy has publicly addressed these discussions, leaving fans and observers to wonder about the true nature of their relationship.

Kanye West’s clash with Brazilian authorities has escalated once again, with officials moving to block his latest planned performance. He had been slated to appear at São Paulo’s Interlagos Racetrack on November 29, but the show was canceled after his inflammatory remarks and reported admiration for Nazism resurfaced online. Consequence first reported the decision, which Brazilian officials framed as a necessary response to rhetoric they consider incompatible with the country’s laws and public values. The São Paulo cancellation follows a similar setback earlier this year. In Rio de Janeiro, local leaders shut down West’s attempt to stage a large-scale concert modeled after the Rolling Stones’ 2006 beach performance. Officials said his past comments left them with little choice, arguing that granting him a platform would run counter to Brazil’s stringent protections against hate-driven speech. Their stance reflects a government increasingly willing to draw firm lines when artists cross into extremist territory. São Paulo’s mayor, Ricardo Nunes, made that point plainly: “No one who promotes Nazism will perform or sing any words on public equipment belonging to the City Hall. We do not accept it, and we will take all necessary measures to ensure that no individual promoting Nazism can engage in any activity here in São Paulo.” His comments mirror Brazil’s broader commitment to enforcing its anti-Nazi legislation. Signs of a Public Reset Even with these setbacks, West has recently made efforts to address the controversy. He met with Rabbi Yoshiyahu Yosef Pinto in New York, a conversation Rabbi Pinto described as sincere and grounded in accountability. According to him, if West continues “real efforts” toward learning and reflection, Brazil may eventually reconsider its stance. West has also revised parts of his musical catalog. He has removed several contentious tracks—”WW3,” “HEIL HITLER/HALLELUJAH,” and “COUSINS”—a move that appears aimed at distancing himself from past themes that fueled public outrage. The quiet deletions suggest an attempt to shift his artistic identity as he navigates the fallout. Officials remain wary, but a future return is not entirely off the table. Some organizers have floated the possibility of a Brazilian date in 2026, potentially outside São Paulo, should West continue to demonstrate meaningful change. For now, his path forward hinges on whether these early overtures can persuade skeptical authorities.

A short music snippet that surfaced in August reignited conversation in hip-hop circles, showing Young Thug seemingly taking aim at Gunna on an unreleased Lil Baby track. The two artists, once close collaborators riding the same creative wave, have seen their relationship shift dramatically since their 2022 legal entanglements. Both were swept up in a gang-related indictment, and Gunna’s choice to accept a plea deal drew swift accusations of “snitching,” fueling speculation about whether their friendship could survive the fallout. Young Thug remained largely silent for months, but the leaked clip suggested lingering tension. One line in particular caught fans’ attention: “Only reason I fked with you Gunna, it was cause of Troup,”** which many interpreted as a pointed acknowledgment of distance between former allies. The moment intensified public curiosity, leaving listeners to wonder whether reconciliation might ever be on the table. Young Thug’s Verse Fuels Debate Over Loyalty and Feuds That debate grew more pronounced on December 3, when Lil Baby officially released “Superman” on his album The Leaks. The final version features a revised verse from Young Thug, notably excluding any mention of Gunna. Neither artist has clarified the change, leaving fans to debate whether it signals a conscious effort to move past past conflicts or simply a creative decision without broader significance. Young Thug later addressed his perspective during a September appearance on the Its Up There podcast, offering insight into the emotional complexity of the situation. “I think I’m just in the unpacking phase… It ain’t even about not f*cking with you because I want him to just understand why I feel like it shouldn’t happen again…” His words reveal a tangled mix of loyalty, frustration, and enduring respect—a recognition that, even amid strain, their connection remains meaningful.

More than a year after its debut, Kendrick Lamar’s blistering diss track aimed at Drake, “Not Like Us,” is still shaping the musical landscape. Apple Music has named it the platform’s most-streamed rap song worldwide for 2025. This recognition makes it the first hip-hop single to claim the title two years in a row. The achievement speaks to the song’s staying power and the way it has lodged itself firmly in the broader cultural conversation. In the world of rap, Lamar’s influence cannot be understated. His momentum surged earlier this year after a commanding Super Bowl LIX halftime performance at New Orleans’ Caesars Superdome. During the event, 133.5 million viewers watched him take center stage. The spectacle reignited discussion about the long-running tension between the two artists. According to recent court filings, it may have added new strain to Drake’s ongoing legal fight. In updated documents, Drake argues that Universal Music Group contributed to a “false and malicious” image of him as a sexual predator. He claims the accusations intensified in the wake of Kendrick’s halftime appearance. His amended complaint points to a rise in threats directed at him and his family after the performance aired. Kendrick Lamar’s ‘Not Like Us’ was the most streamed rap song worldwide on Apple Music in 2025 It is the first rap song to hold this title in back-to-back years on the platform. pic.twitter.com/r5tBVN3wqb — Hip Hop All Day (@HipHopAllDayy) December 2, 2025 New Turns in the Case The legal dispute has continued to expand, with Lamar figuring prominently in the ongoing discussions. Drake’s legal team recently requested an extension on several deadlines, citing the demands of the case and the upcoming holiday season. Their brief is currently due December 22. However, both sides have asked to move the filing to January 21. Should the court approve the request, Kendrick’s attorneys would be required to respond by March 27. An extension would also give Drake’s lawyer, Michael Gottlieb, added room to manage other high-profile matters. These include an ongoing lawsuit involving actress Blake Lively. In their most recent filing, Drake’s attorneys emphasized the stakes of the dispute. They wrote, “This is a high-profile case bearing on issues of public interest such as artistic expression and the scope of defamation law for public figures.” The case, already linked to Lamar, is drawing significant public interest.

The music world is mourning the sudden death of rising artist POORSTACY. His work on the Bill & Ted Face the Music soundtrack and collaborations with Travis Barker had earned him growing acclaim. TMZ reports that the Florida-based rapper was found dead over the weekend in Boca Raton. The Palm Beach County Medical Examiner confirmed the news, though the cause of death has not been released. POORSTACY had been staying at a local hotel for ten days with a woman and a toddler when a medical emergency prompted staff to rush him to a nearby hospital. His companions were unharmed, according to reports. In the absence of official details, social media has speculated about suicide. Fans have shared grief and personal stories of loss. Some have also questioned whether aspects of the emo-rap scene may contribute to cycles of self-destructive behavior. This raises broader concerns about the pressures within the genre. View this post on Instagram Musical Legacy and Achievements Although his career was tragically brief, POORSTACY left a notable imprint on the music industry. He released two studio albums and two EPs, earning critical praise along the way. His Grammy nomination for the Bill & Ted Face the Music soundtrack highlighted his talent. Collaborations with Travis Barker—including the single Choose Life—drew significant attention. His track Don’t Look at Me has accumulated more than 51 million Spotify streams since its 2020 release on The Breakfast Club. Fans and fellow artists have turned to social media to express their sorrow, creating a virtual outpouring of tributes. Many responded to POORSTACY’s final Instagram post with heartfelt messages. One fan wrote, “We’re supposed to beat the odds together brother; I need you HERE,” while another added, “I love you so much dude; I’m still in denial—I want to call you so badly right now.”