False reports claiming Atlanta rapper Alley Boy had died spread widely across social media Monday, prompting his daughter to publicly deny the rumors and urge people to stop sharing unverified information. In a statement posted to Instagram on July 20, Alley Boy’s daughter said her father is alive and criticized the rapid spread of inaccurate posts. “My daddy is NOT dead. Please stop spreading false information and posting things before you know the truth,” she wrote. View this post on Instagram She also thanked supporters who contacted the family after the rumors gained traction online. “I appreciate everyone who’s reached out and checked on me. I don’t have the strength to respond to everyone, but I’m so thankful!” she said. As speculation continued, she asked for privacy and prayers for her family. “I LOVE YALL. Please keep me & my family in your prayers. We really need it!!” she wrote, before concluding, “GOD HAS THE LAST SAY SO.” Atlanta’s Alley Boy’s Daughter Says Rapper’s Death Reports Are False The posts quickly circulated across social media, where many users removed memorial messages after learning the reports were false. The incident highlights how misinformation can spread rapidly online, particularly involving public figures, often causing emotional distress for families and fans before facts are confirmed. Born Curt Freeman, Alley Boy built a respected career in Atlanta’s hip-hop scene. He co-founded Duct Tape Entertainment with the late Big Bank Black and released his breakthrough mixtape, Da Don, in 2009. His debut album, The Gift of Discernment, followed in 2011. Throughout his career, he collaborated with artists including Gucci Mane, Waka Flocka Flame, Childish Gambino, Juicy J and Freddie Gibbs. In recent years, Alley Boy has spoken openly about serious health issues. He revealed he suffers from kidney disease, which he has linked to years of excessive codeine cough syrup use. The rapper began dialysis in 2023 and later said he required treatments three times a week while seeking a kidney transplant. “I was put on dialysis a month ago… changed my whole life,” Alley Boy wrote in an earlier Instagram post. “WHAT WAS MEANT TO DESTROY ME WOKE ME UP NOW I KNOW MY PURPOSE… TELL MY STORY #INEEDAKIDNEY #FOREVERSCARED.” Although the rapper continues to face significant health challenges, his daughter’s statement makes clear that reports of his death are false and urges the public to verify information before sharing it online.

Billy “DJ Bigga Rankin” Plummer, a pioneering Florida DJ, promoter and influential figure in Southern hip-hop, has died at 56, his family announced Monday. Over a career spanning more than three decades, Plummer helped launch the careers of several rap stars while mentoring emerging artists across the South. “It is with great sadness that we announce that the patriarch of our family, Billy ‘Bigga Rankin’ Plummer, passed away earlier this morning on July 20, 2026,” his family said in a statement. “Funeral arrangements and plans for a celebration of life will be shared when they are available.” View this post on Instagram We lost a legendary figure in Florida today. Bigga Rankin had an amazing spirit and he embraced me from day one. That’s the kind of love and loyalty you never forget. My dawg has moved on, but his legacy, his voice and the impact he made on this culture, especially Southern… pic.twitter.com/xBpEtFi9Jf — Yung Rénzél (@RickRoss) July 20, 2026 Based in Jacksonville, Plummer built a reputation as one of Southern rap’s most respected tastemakers. He played a key role in promoting artists including Rick Ross, T.I., Plies, Jeezy, Yo Gotti, Gucci Mane and B.o.B. He also served as an A&R executive at Think It’s a Game Records and as vice president of the Hittmenn DJs. Beyond the music industry, Plummer devoted years to community service. He founded Jacksonville’s Diamond Awards, supported young artists and organized charitable initiatives through the K.I.N.G. Foundation. His family said the organization’s annual Back to School Community Day will proceed as scheduled on Aug. 8 at A. Philip Randolph Park, providing free backpacks, food and activities for local families. Rapper Rick Ross Pays Tribute To Late Florida DJ Bigga Rankin In a previous interview with News4JAX, Plummer credited his upbringing for shaping his approach to life and business. “I’m always helping people… my mama always told me to give without expecting nothing back… I feel like I was real because I’m always giving,” he said. Plummer also spoke openly about serious health challenges in recent years, including complications from COVID-19 that resulted in the loss of a kidney and required regular dialysis treatments. Among the first artists to honor him publicly was rapper Rick Ross, who credited Plummer with supporting his career from the beginning. “We lost a legendary figure in Florida today,” Ross wrote on X. “Bigga Rankin had an amazing spirit and he embraced me from day one. That’s the kind of love and loyalty you never forget.” Ross added, “My dawg has moved on, but his legacy, his voice and the impact he made on this culture, especially Southern hip-hop, will live forever. Prayers up for his family and everyone who loved him. Rest in Power, Bigga Rankin.” Plummer leaves behind a lasting legacy as a champion of Southern hip-hop whose influence extended beyond music into mentorship, philanthropy and community leadership.

Rap star and new mom Latto isn’t letting social media critics weigh in on how she parents her newborn. The Atlanta rapper clapped back after a video of her pushing her baby daughter’s stroller toward a private jet sparked debate across X. While many fans celebrated the glimpse into her new life as a mother, one user questioned whether flying with a newborn was safe. View this post on Instagram Sharing the clip, Latto offered another carefully curated look at motherhood, a chapter she has largely kept away from public view. The moment quickly spread across social media, where one critic argued that changes in cabin pressure made traveling with an infant a poor decision. “There was no amount of money” that would convince them to fly with a newborn, the user wrote, expressing concern about the baby’s well-being during air travel. Atlanta Rap Star Latto Response To Critics’ Backlash Over Rapper Traveling With Newborn Daughter Latto wasted little time responding. “Good thing this not yo child bitch boy,” she fired back, drawing thousands of reactions and shifting the conversation from parenting advice to online boundaries. The exchange quickly divided social media. Many supporters applauded the rapper for defending her family and rejecting unsolicited criticism. Others pointed to the growing culture of strangers scrutinizing celebrity parents over personal decisions. Since welcoming her first child earlier this year, Latto has shared only occasional moments from motherhood while keeping her daughter’s identity and private life largely out of the spotlight. That balance has fueled curiosity among fans, especially after months of speculation surrounding her pregnancy. The latest viral moment also renewed discussion about Latto’s rumored relationship with fellow Atlanta rapper 21 Savage. Although fans have long connected the pair, neither artist has publicly confirmed the relationship. For Latto, however, the focus remained on protecting her family. Her response made it clear that parenting decisions belong to her, not the internet. The viral exchange underscores a familiar reality for high-profile artists. Even routine family moments can become flashpoints for public debate. This time, Latto answered the criticism with the same confidence that has defined her career, reminding followers that social media opinions carry little weight when it comes to raising her child.

50 Cent isn’t backing down from his latest war of words with Hurricane Chris. The hip-hop mogul returned to Instagram this week to fire back at the Louisiana rapper, escalating a feud that has become intertwined with the future of Shreveport and the G-Unit founder’s ambitious redevelopment plans. On Wednesday, 50 Cent shared a clip of Hurricane Chris and ridiculed the “A Bay Bay” rapper after he suggested he could take over development efforts in Shreveport if the entertainment mogul decided to walk away. View this post on Instagram “Broke eyes, the boy broke, talking about he want to take over. LOL. Only in Shreveport,” 50 Cent wrote, while tagging his Branson Cognac and Le Chemin du Roi Champagne brands. The latest jab came days after 50 hinted that he could scale back his business interests in Shreveport, claiming some local figures were standing in the way of his vision for the city. Hurricane Chris responded by suggesting he was prepared to step in if 50 abandoned the projects. 50 Cent Laughs At Hurricane Chris’s Shreveport Comments After Hip-Hop Mogul Hints At Plans To Leave Louisiana The exchange marks another chapter in a rivalry that has simmered for nearly two years. Hurricane Chris has repeatedly questioned 50 Cent’s growing influence in northwest Louisiana, arguing that local artists should play a larger role as entertainment investments reshape the city’s cultural landscape. For his part, 50 has consistently answered those criticisms with social media trolling instead of measured responses. The Queens native has used Instagram to challenge Hurricane Chris’ credibility while defending his expanding footprint in Shreveport. Through G-Unit Studios and several entertainment ventures, 50 has invested heavily in the city, positioning Shreveport as a major production hub for film and television. His redevelopment plans have earned support from state leaders while also drawing criticism from some local voices. Whether the disagreement centers on civic development or hometown pride, neither artist appears ready to retreat. Hurricane Chris continues to question 50’s influence, while 50 keeps responding in the blunt, humorous style that has become his online trademark. For now, the feud shows no signs of cooling. As 50 Cent continues building his business empire in Shreveport, his rivalry with Hurricane Chris remains one of hip-hop’s most closely watched regional disputes.

JAŸ-Z turned Yankee Stadium into hip-hop’s biggest stage on July 11, drawing a record-setting 45,832 fans for the second night of his three-show residency celebrating the 30th anniversary of Reasonable Doubt and the 25th anniversary of The Blueprint. The crowd eclipsed the opening night’s attendance of 44,916, setting a new single-show record for the Bronx ballpark. Nearly 25 years after The Blueprint redefined rap’s creative landscape, the album once again proved its enduring power, this time before the largest audience ever assembled for a single performance at Yankee Stadium. JAY-Z officially sets a new Yankee Stadium attendance record 44,916 fans attended for Night One pic.twitter.com/kN4J5eOEdE — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) July 11, 2026 Rather than relying on a greatest-hits set, JAŸ-Z built the evening around one of hip-hop’s defining albums. The Blueprint, released in 2001, reshaped mainstream rap with soulful production, razor-sharp lyricism, and a renewed focus on storytelling. Hearing those songs inside a stadium reinforced the album’s lasting influence on the genre. The celebration also reunited some of the artists who helped define that era. Eminem appeared for “Renegade,” revisiting one of rap’s most celebrated collaborations before launching into “Lose Yourself.” Hip-Hop Mogul JAŸ-Z Sets New Record At Yankee Stadium Pharrell Williams joined JAŸ-Z for “Excuse Me Miss,” “I Just Wanna Love U” and “Frontin’,” while Slick Rick made a surprise appearance that underscored the night’s multigenerational spirit. The audience reflected the event’s cultural reach. Former Yankees stars Alex Rodriguez and Robinson Canó attended alongside Fat Joe, Dave Chappelle, Dwyane Wade, Gabrielle Union, Jayson Tatum and Donovan Mitchell. The residency opened with JAŸ-Z30, commemorating the 30th anniversary of Reasonable Doubt. That show featured Nas, Memphis Bleek and Jaz-O, while Beyoncé joined JAŸ-Z for “Can’t Knock the Hustle.” Blue Ivy Carter later appeared on piano during “Feelin’ It,” creating one of the weekend’s most memorable moments. The record-breaking turnout confirms what fans have known for decades. JAŸ-Z’s catalog has outgrown arenas and become stadium music. Yankee Stadium wasn’t simply hosting a concert. It became a monument to one of hip-hop’s most influential careers, with The Blueprint continuing to shape the culture a quarter-century after its release.

Wu-Tang Clan’s Ol’ Dirty Bastard was known as a wild boy, with artists like Hip-Hop legend LL Cool J sharing countless stories about the late Staten Island legend. During a recent conversation with Greg Nice of Nice & Smooth, LL shared the story after Greg reflected on Ol’ Dirty Bastard’s admiration for him and Busta Rhymes. According to Greg Nice, ODB once credited both artists with helping shape the unconventional style that later became his signature. The conversation prompted LL to revisit an incident he said unfolded at New York City’s iconic Chung King Studios. “I said, ‘What’s wrong?’” LL recalled, describing a phone call from the late music executive Chris Lighty. “He said, ‘For some reason, Ol’ Dirty Bastard came in here and broke all your plaques and pissed on them.’ I said, ‘What’d I do?’” Rather than respond with anger, LL said he chose a different path. Hip-Hop Legend LL Cool J Shares Wild Story About Wu-Tang Clan’s Ol’ Dirty Bastard Peeing On His Plaques “I loved him ever since,” he said, laughing off what could have become one of hip-hop’s strangest feuds. The story captures the unpredictable spirit that defined Ol’ Dirty Bastard throughout his career. The Brooklyn rapper built a reputation for behavior that blurred the line between performance, provocation and genuine spontaneity. Whether crashing the 1998 Grammy Awards to proclaim, “Wu-Tang is for the children,” or arriving in a limousine to collect a welfare check, ODB consistently turned real life into hip-hop folklore. LL admitted he never understood why Ol’ Dirty Bastard targeted his plaques. The mystery remains unsolved, adding another layer to the Wu-Tang member’s enduring legend. More than two decades after his death, Ol’ Dirty Bastard remains one of rap’s most singular personalities. Stories from peers continue to surface, revealing moments that are equal parts unbelievable and authentic. LL Cool J’s latest recollection reinforces that legacy. It offers another glimpse into the chaotic brilliance that made ODB one of hip-hop’s most unforgettable figures.

NBA YoungBoy has once again sparked conversation around his relationship with Future after posting a series of heated Instagram Story clips on July 10, the same day Future released his latest album, The Real Me. The posts came shortly after YoungBoy took a more reflective tone during an Instagram Live appearance with Offset. During the live, he spoke about past mistakes and offered an apology to Future. The contrast between those remarks and his later messages quickly drew attention from fans. Many of them questioned whether tensions between the two artists had resurfaced. The latest wave of speculation began when YoungBoy shared a video featuring sharp lyrics that appeared to be aimed at another rapper releasing music that night. Future was not mentioned by name. However, the timing of the post led many online to believe the comments were connected to the Atlanta artist’s album rollout. In the video, YoungBoy rapped, “B**** you flopped with your b**** ass, f*** you your old ass b**** YOU A H**,” before continuing with criticism toward an unnamed figure and warning listeners not to “gas it up.” The remarks quickly circulated. Consequently, fans debated whether the lyrics represented a direct shot at Future. The exchange was notable because it followed a noticeably different message from YoungBoy earlier that day. During his conversation with Offset, the rapper admitted there were moments when he had been “crashing out.” He also thanked Offset for his support and addressed his issues with Future publicly. His comments suggested a willingness to move forward. This made the later posts appear more complicated to listeners following the situation. View this post on Instagram Future’s Solo Return Rekindles NBA YoungBoy Tensions Future, meanwhile, entered the conversation while celebrating the release of The Real Me. The album arrived July 10 through Freebandz and Epic Records. The 22-track album marks his first solo studio release since 2022’s I Never Liked You. It features no guest appearances, a decision that keeps the focus entirely on his own performances. The project follows one of Future’s strongest recent stretches, including the Billboard 200 No. 1 albums We Don’t Trust You and We Still Don’t Trust You with Metro Boomin in 2024. As both rappers continue their respective runs, the latest exchange has reignited discussion about their relationship. The unresolved tensions continue to capture fans’ attention.

Young Thug reportedly ordered a retail store manager to turn off a song featuring Gunna. The incident occurred while Young Thug was in Manhattan preparing for a highly anticipated YSL label showcase at Irving Plaza. Witnesses said the Atlanta rapper, whose legal name is Jeffery Williams, was browsing in a local storefront when the track “Dollaz On My Head” began playing over the store’s audio system. The 2020 hit, which features both artists, apparently struck a cord with Williams, who promptly requested that the manager turn the music off. The exchange serves as the latest confirmation that the relationship between the two frequent collaborators remains fractured following the high-profile YSL Racketeer Influenced and Corrupt Organizations (RICO) Act case. While both men were initially arrested together and held in custody, Gunna, born Sergio Kitchens, was released in late 2022 after entering an Alford plea. The move by Kitchens led to widespread speculation within the music industry and among fans that he had cooperated with authorities to secure his freedom. Williams remained in custody for a significantly longer period, eventually securing his release through a complex plea agreement that ended one of the longest trials in Georgia history. Since regaining his freedom, Williams has distanced himself from Kitchens both personally and professionally. Industry insiders said the Irving Plaza incident illustrates that despite their shared history of chart-topping hits, the bridge between the two rappers may be permanently burned. The rift has divided the hip-hop community, with fans debating whether the duo will ever reconcile to produce new music. While Kitchens has continued to release commercially successful projects following his release, critics have noted a shift in the creative output and public reception of both artists since the legal proceedings concluded. Supporters of Williams have largely remained loyal to the YSL founder, who is expected to appear on new material with other collaborators, including Future, in the coming days. For now, the “King of Slime” appears more interested in looking forward than listening to the hits of his past.

The relationship between Young Thug and Gunna has changed dramatically since the fallout surrounding the YSL case, ending a partnership that once stood among the most recognizable in Atlanta rap. The two artists were closely linked before the legal proceedings began, and both were initially taken into custody as part of the broader investigation. Gunna’s release after accepting a plea deal before the trial fueled speculation and criticism from some fans, while Young Thug remained involved in the case for a much longer period. Young Thug eventually resolved his own legal situation through a plea agreement, but the distance between the two artists has continued. In the years since, Young Thug has signaled that his connection with Gunna is no longer what it once was. That divide became especially noticeable during a recent incident at a store before a YSL performance at Irving Plaza in New York. When Gunna’s song “Dollaz On My Head” began playing, a track that includes a Young Thug verse, Thug reportedly asked the manager to turn the music off. The moment quickly spread online, offering another glimpse into the tension surrounding the former collaborators. Young Thug asked the store manager to skip a Gunna song pic.twitter.com/qUufa9aBPf — GUNNADAILY. (@Gunnadaily4ever) July 9, 2026 Young Thug and Gunna’s Uncertain Next Chapter For many fans, the situation represents the end of one of rap’s most promising creative partnerships. Young Thug and Gunna previously built a strong catalog together, delivering collaborations that helped shape the sound associated with YSL. Their chemistry on records made them a duo that many listeners expected to remain connected for years. Instead, their paths have moved in separate directions. A future reconciliation remains unclear. Gunna has continued releasing successful songs and maintaining a consistent presence in hip-hop, while Young Thug has faced the challenge of rebuilding his career after a lengthy legal battle. Their separate trajectories have sparked ongoing conversations among fans about how each artist has handled the aftermath. With more new music arriving from Atlanta’s rap scene, listeners are still watching closely to see what the next chapter looks like for both artists.

Rap superstar J. Cole is entering hip-hop media in 2026 with the announcement of The Fall-Off Magazine, which debuts with interviews from GloRilla, Lil Yachty, J.I.D., and more. The 144-page magazine supports the rapper’s upcoming tour. The magazine explores hip-hop through original reporting, photography, artwork, and design. The Fall-Off magazine’s editor-in-chief is award-winning journalist Bonsu Thompson. Produced in a limited print run, the magazine arrives as a companion to “The Fall-Off,” offering a deeper look at the culture that shaped both the artist and the album. “Like all essential creative by and for a culture, this collector’s edition arrives when most needed by its audience,” said Thompson in the press release. “Hip-Hop journalism has somehow expanded, diversified, atrophied and become amorphous all at once. So my aim was to deploy storytelling and the humanization of starpower to educate the world on how Godly the craftsmen and innovation behind Hip-Hop commerce were, are and will forever be. No wifi needed.” Hip-Hop Star J. Cole Announces The Debut Issue Of The Fall-Off Magazine, Featuring Cash Cobain, GloRilla, J.I.D., & More The magazine’s publisher is Felton Brown. Thompson assembled a team of 60, including notable journalists, photographers, designers, and more. New York City’s own Cash Cobain will be one of the many featured artists in the magazine’s debut. For Brown, the magazine marks an evolution. “‘The Fall-Off Magazine’ documents a singular moment in time,” Brown said. “Hip-hop has never stood still. Every generation has added to the culture, and this publication was built to create space for generations of old and new to commune in conversation with one another.” Emphasizing on the importance of context, Brown added, “We built this publication because we believe context matters, conversation matters, critical thought matters and original content matters. Hip-hop has always mattered.” According to J. Cole and Dreamville, the magazine is meant to carry forward the tradition of print publications that have long-form documented hip-hop into the next generation. The Fall-Off Magazine’s debut issue will be available for purchase on the upcoming tour and on the official website.