Young Thug opened up about his evolving relationship with Lil Wayne following the release of his highly anticipated album, UY Scuti. It dropped last Friday. In a candid discussion on The Pivot Podcast, Thug revealed that the long-standing tension between the two artists has eased. Now, the prospect of a collaborative album is in view. “He [Lil Wayne] ain’t on the internet. He tends to react to what he hears from people or what the fans say in person,” Thug explained. He described how fan interactions at shows shaped Wayne’s perception of their rivalry. “They’d be like, ‘Hey, fk Young Thug. That ni** just wanna be you. He’s a bi**h. He wore a dress.’ He was feeding off that typa sh*t,” Thug said, illustrating how outside voices influenced the dynamic between the two stars. Despite past friction, Thug emphasized a notable shift: “Me and him got a way better relationship now. We got an album and everything. We just ain’t sat down and just put the sh*t together and release the album together.” The statement hints at a potential creative renaissance, suggesting that their shared artistry may soon take center stage. Fans Debate Old Feuds as Young Thug Returns with UY Scuti Fan reactions have been divided, especially after XXL shared clips of the podcast on X (formerly Twitter). One viewer pointedly remarked, “He conveniently left out the part where Thug got YSL dudes to shoot up Wayne’s tour bus,” highlighting lingering doubts about their past conflicts. Another commented, “All the beef and issues with all these rap artists was just kayfabe that went too far,” suggesting some rivalries may have been exaggerated for public consumption. The history between Young Thug and Lil Wayne stretches back to the mid-2010s. This is notably with Thug’s decision to title his debut commercial mixtape Barter 6. Though intended as an homage, its release coincided with Wayne’s preparation for Tha Carter V. This stoked tension at the time. UY Scuti includes features from Ken Carson, Cardi B, T.I., Lil Baby, Sexyy Red, YFN Lucci, 21 Savage, Travis Scott, Quavo, Lil Gotit, 1300Saint, Future, and Mariah the Scientist. However, Wayne does not appear. Marking Thug’s first music since his release from incarceration tied to the YSL RICO case, he celebrated with an impromptu performance outside Atlanta’s Fulton County Courthouse. This signaled both personal freedom and a professional resurgence. Young Thug says everything is cool between him and Lil Wayne, and their issues have been settled since 2018. Thug explains what he think happened that made their beef more complicated. “He [Lil Wayne] ain’t on the internet,” Thug tells The Pivot Podcast. “He was just like… pic.twitter.com/XgbjwgvhHP — XXL Magazine (@XXL) September 29, 2025

Bad Bunny has officially been announced as the headliner for the 2026 Super Bowl halftime show, set to take place on February 8, 2026, at Levi’s Stadium in Santa Clara, California. The news was confirmed by the NFL in partnership with Apple Music and Roc Nation, marking another milestone in Bad Bunny’s career as one of the most influential artists in the world. The Puerto Rican hitmaker will become the first reggaetón and Latin trap artist to lead the iconic halftime performance on his own, further cementing his role in bringing Latin music to the global stage. Bad Bunny previously appeared on the Super Bowl stage in 2020 as a guest performer alongside Shakira and Jennifer Lopez in Miami. That show received widespread acclaim for spotlighting Latin culture on one of the world’s biggest stages. Now, six years later, he will return as the main act, carrying the halftime spotlight solo. View this post on Instagram A post shared by Ebro (@oldmanebro) Since 2019, Roc Nation, Jay-Z’s entertainment company, has helped curate Super Bowl halftime shows. The partnership has brought a wide range of performers, including Dr. Dre, Snoop Dogg, Mary J. Blige, Kendrick Lamar, Eminem, Rihanna, and Usher. Bad Bunny’s selection continues that trend of spotlighting culturally significant artists who reflect both music’s diversity and global reach. With chart-topping hits such as “Tití Me Preguntó,” “Dakiti,” and “Moscow Mule,” fans are already buzzing about what songs might make the setlist. Known for his high-energy performances, innovative visuals, and genre-bending style, Bad Bunny’s halftime show is expected to deliver a memorable blend of music, culture, and spectacle.

Young Thug addresses rumors surrounding his sexuality. During a recent interview, Thug makes it clear that he don’t have no problem with gay men, however, he’s straight. “I’m straight women. Ain’t nothing going down with no man.” This isn’t the first time Thug addressed those speculations. In a 2019 interview with Big Boy’s Neighborhood, he made it clear that assumptions about him being gay were inaccurate. “People judge me and say ‘gay,’” he explained. “If people think that I’m gay, they’ve already misjudged. I’m the straightest man in the world. I’ve been with way more women than a lot of other straight guys.” View this post on Instagram A post shared by HOLLYWOOD UNLOCKED (@hollywoodunlocked) Young Thug dropped his highly anticipated project “UY SCUTI.” The project is Thug’s first full-length body of work since his release from jail in late 2024, marking a major comeback moment for the Atlanta rap star. Originally set to arrive on September 19, the album was delayed by a week out of respect for Cardi B’s release, Am I the Drama?. Thug revealed that he named the album after UY Scuti, a red supergiant star considered one of the largest known in the universe. The title, he explained, symbolizes the scale of his return and his enduring impact on hip-hop. UY SCUTI features 20 tracks and boasts an impressive lineup of guest artists, including Future, Cardi B, 21 Savage, Lil Baby, T.I., Ken Carson, Sexyy Red, and Mariah The Scientist.

Young Thug and YFN Lucci have reunited creatively on their latest albums, UY Scuti and Already Legend, marking a meaningful chapter in a relationship shaped by both collaboration and past tension. Thug’s appearance on Lucci’s project signals a renewed camaraderie, demonstrating a willingness to move beyond previous conflicts and channel shared experiences into art. In a recent interview, Lucci reflected on the intentions behind their partnership. “First off, we’ve been through a lot,” he said, acknowledging hardships both artists have faced. “Everyone has lost someone; we lost people. The most critical thing we lost is time—time away from our families. So, coming home, it’s like, damn, what can we do? Are we just going to continue down a path that leads to more pain, or are we going to take a stand and make things right for Atlanta?” His words convey a deliberate effort to reconcile past missteps while prioritizing growth and accountability. Lucci’s resolve extends to their music. “Let’s just do it. Some fans might be upset, while others will be thrilled. But at the end of the day, we must face the consequences of our actions,” he said, emphasizing responsibility amid public scrutiny. Their collaboration is thus more than a creative venture; it is a shared statement of intent and personal evolution. Young Thug and YFN Lucci Turn Personal Strife Into Music Young Thug’s recent tracks similarly grapple with fractured relationships. On “Dreams Rarely Do Come True,” he interrogates loyalty: “Why would I shed tears over someone I handed over to Gunna’s law enforcement connections?” In “Sad Slime,” he explores betrayal and loss: “I witnessed my brother turn rat right before my eyes / I’ve been crying all day.” These candid revelations have sparked conversation across social media, particularly around recently leaked recordings of his discussions with law enforcement. Together, Young Thug and YFN Lucci illustrate how music can serve as both expression and catharsis. Their collaboration transforms personal trials into art, reflecting a commitment to growth, accountability, and reconciliation. Beyond the melodies and lyrics, their work underscores music’s enduring power to entertain, heal, and offer space for reflection—and, ultimately, redemption.

With BIA’s debut album BIANCA set to drop next month, the hip-hop world is buzzing with anticipation. Tensions escalated last week when Cardi B released her long-awaited sophomore album, Am I The Drama? This reignited a simmering feud between the two artists. On her new record, Cardi navigates vulnerability and sharp-tongued defiance, particularly on the track “Pretty & Petty,” where she directs pointed lines at BIA. One lyric has already gone viral: “Name five BIA songs, gun pointin’ to your head.” The line has sparked debate over whether Cardi is asserting dominance or unnecessarily fanning the flames of conflict. In the days following the release, Cardi addressed the tension in a recent interview, framing her response as a personal matter tied to her children. “You mentioned my kids tryna be cute,” she said of BIA’s earlier remarks. “Her diss was lackluster… but I couldn’t let it slide, especially with everything that goes viral on social media.” For Cardi, it was about setting a precedent rather than scoring points. “When my kids grow up and hear that someone mentioned them, they’re going to ask, ‘What happened?’ I want them to see I stood my ground.” BIA Leans on Promotion, Turning Feud Into Spotlight BIA has taken a different approach, focusing on promotion rather than direct confrontation. In a recent Instagram post, she highlighted her upcoming BIANCA, scheduled for October 10. She also sent a playful rebuttal, “I got 16 more songs u can name .” The post signals confidence and a refusal to be overshadowed, even as the feud simmers online. The exchanges highlight a recurring tension in hip-hop. Competition often blurs the line between personal and professional. With two major releases arriving within weeks, both Cardi B and BIA stand to gain from the heightened attention. Their rivalry continues to play out in the public eye.

Lecrae stopped by HOT 97 to talk to Nessa about his brand new album Reconstruction. They discuss the hardest parts of fatherhood, what moments made him feel like he was doing a good job, and whether his kids really understand his music and message. He also reacts to Kendrick Lamar name-dropping him on “Watch the Party Die,” how he felt about that, and why he almost didn’t record the song because he didn’t want to come off as a clout chaser. They also dive into his growth over 10 albums, how this one reflects scars, lessons, and reaching “OG status,” and his past struggles with seeking validation from other artists. Lecrae shares his cringe moment meeting J. Cole, a heartfelt conversation with Will Smith, and even the time Snoop kicked him out of a party. He talks about new collaborations with Miles Minnick, a memorable dinner at E-40’s house with Tupac stories, and hints at appearing in a Tyler Perry film. Stream Reconstruction now.

In a candid conversation with Elle Magazine, A$AP Rocky reflected on mental health, music, and family while promoting his latest project, Highest 2 Lowest, a collaboration with director Spike Lee and actor Denzel Washington. The discussion blended skepticism with introspection, as Rocky questioned traditional therapy and explored how art can function as a means of emotional expression. Rocky highlighted how audiences often look to artists for guidance, likening Jay-Z to a therapist. “I think Jay-Z is a Black therapist. A lot of people come to him with their problems,” he said. His observation underscores how fans often turn to music not just for entertainment but as a way to process struggles, treating artists as emotional touchstones in their lives. Discussing Highest 2 Lowest, Rocky described the film as akin to an “anxiety attack” and expressed skepticism about conventional therapy. “My outlook on therapy is so pessimistic, it’s not even funny… I compare therapists to psychics. If you haven’t shared the same experiences, how can they genuinely help?” His remarks signal a critique of clinical approaches while emphasizing the importance of shared experience in meaningful support. Fatherhood and Family The conversation shifted to his personal life, with Rocky sharing excitement over expanding his family with Rihanna. Anticipating their third child, he admitted, “I hope it’s a girl. I really do. This pregnancy is so different from the other two. I feel like it’s going to be a girl. I need that.” The comment revealed a rare vulnerability, showing a softer side of the rapper beyond his public persona. Shortly after the interview, Rihanna confirmed the birth of their daughter, Rocki Irish Mayers, on Instagram, posting photos celebrating the family. Rocky paid tribute as well, referring to Rihanna and their newborn as “MY LIL LADIES.” Rocky’s reflections illuminate how artists navigate wellness, identity, and familial responsibility under public scrutiny. By linking creativity with emotional exploration and sharing his experience of impending fatherhood, he fosters a conversation that resonates beyond celebrity culture, where vulnerability and artistry intersect in profound ways.

Tory Lanez has asked a federal court to shield him from further involvement in the defamation lawsuit Megan Thee Stallion filed against commentator Milagro Gramz. Megan contends that Gramz spread falsehoods about the 2020 shooting that led to Lanez’s conviction. The case has drawn national attention as it unfolds in California. On September 24, Lanez’s attorneys filed a motion for a protective order. They argued that his participation would place an undue burden on him. The filing stated, “Daystar Peterson (‘Mr. Peterson’), by counsel, respectfully moves for a Protective Order under Federal Rule of Civil Procedure 26(c).” His legal team stressed that Lanez is a non-party in Pete v. Cooper (No. 1:24-cv-24228, Southern District of Florida). They warned that further testimony could prejudice his pending criminal appeal while raising constitutional concerns over his rights. The motion added, “For the foregoing reasons, Mr. Peterson respectfully requests that the Court grant his Motion for Protective Order, barring improper non-party deposition or, alternatively, limiting discovery consistent with the Federal Rules, Ninth Circuit precedent, and constitutional protections.” Lanez’s lawyers also argued that others named in the case—including DJ Akademiks and Caesar McDowell—did not face the same level of scrutiny during their depositions. That, they suggested, pointed to unequal treatment. The decision on Lanez’s request now rests with the court. Expanding Legal Battle Megan Thee Stallion’s defamation suit has widened its reach. DJ Akademiks has been ordered to testify and to reveal the source of a leaked DNA report tied to the case. Adin Ross, another online personality, attempted to avoid a deposition but has so far been unsuccessful. Lanez’s own legal issues remain close at hand. Last August, a judge ordered him to sit for a second deposition. His first appearance was described as uncooperative and disrespectful toward Megan’s attorneys. Taken together, the lawsuit and Lanez’s appeal highlight the increasingly blurred line between criminal accountability, media influence, and celebrity culture. As the court considers his motion for protection, the outcome carries implications for both the artists involved and the wider industry watching from the sidelines. View this post on Instagram A post shared by XXL (@xxl)

Metro Boomin is facing a civil lawsuit from Vanessa LeMaistre, who alleges he exploited her during a 2016 encounter. The case came into public view this week as proceedings formally began in Los Angeles courts. During opening statements on Tuesday, LeMaistre’s attorneys detailed her account. They asserted that her consumption of Xanax and alcohol at Boomin’s studio left her in a vulnerable state. Boomin has denied the allegations, insisting that the encounter was consensual. Rapper Young Thug attended the courtroom on Wednesday to show support. Speaking with Rolling Stone journalist Nancy Dillon, he said, “I’m just here to support him. He’s a longtime friend.” His presence underscores the deep personal networks within the hip-hop community, which frequently intersect with professional relationships. The trial took a contentious turn when LeMaistre’s legal team requested a mistrial. They claimed that Boomin’s attorneys improperly referenced a prior sexual encounter between the parties. LeMaistre has denied any such history. Her lawyers argued in court, “If plaintiff’s counsel was provided fair warning and a hearing was held, the claim that plaintiff engaged in consensual sex with the defendant prior to the sexual assault would have been precluded.” They contended that references to a prior encounter should not have been introduced at all. Young Thug’s Album and Ongoing Legal Battles As this legal dispute continues, Young Thug is preparing to release his highly anticipated album, UY Scuti, on September 26. The project marks his first since being released from jail following the YSL RICO case. Furthermore, speculation of a collaboration with YFN Lucci has further heightened anticipation. Thug is simultaneously facing his own legal challenges. Georgia authorities are appealing a ruling that allowed him to reclaim assets seized during the YSL case. These include cash, luxury vehicles, and a collection of valuable jewelry. The Metro Boomin case highlights the intricate issues of consent and accountability within the music industry. Beyond the legal arguments, it underscores how the personal and professional lives of high-profile artists are heavily scrutinized. The trial’s outcome may ripple through the broader hip-hop community. It may shape perceptions of conduct, responsibility, and the pressures faced by figures in the public eye. Young Thug is here to support Metro Boomin in his civil sexual assault trial. I saw him in the security line when I was walking out for the break, and I did a double take because whoa. He confirmed he’s here to support his friend. I mentioned Brian Steel and @ThuggerDaily. pic.twitter.com/m1HjpZSaDv — Meghann Cuniff (@meghanncuniff) September 24, 2025

In an unexpected turn, media mogul Dame Dash took to Instagram earlier this month to express his desire to reconcile with fellow artists Cam’ron and 50 Cent. The announcement follows a history of public disputes that have strained his relationships with both figures. Yet Dash appears intent on setting aside past grievances and fostering collaboration. In an impassioned video, Dash laid out his vision for a truce. This coincides with a $300 million lawsuit connected to the host of It Is What It Is. “50, Cam, me—if we can demonstrate that we’ve been at odds yet are now coming together, whether it be for a television project or a film, we can show the world that reconciliation is possible,” he said. He reflected on the toll of ongoing conflicts: “They revel in our conflicts, but I refuse to partake in that any longer. I owe an apology to my elders for any embarrassment caused during this turmoil; I simply aimed to communicate with them.” To emphasize the broader message, Dash added in the post’s caption, “Let’s illustrate to the world that we can unite over trivial disputes. The narrative of division is outdated.” 50 Cent’s Response Contrary to expectations, 50 Cent’s reply was far from conciliatory. On Instagram, he shared Dash’s video with a pointed critique, blending acknowledgment with dismissal. “I agree with Dame [100 percent] that collaboration fosters greater success,” he wrote. “But, hold on—Cam just dissed Dame and his so-called lawsuit. So right now, it’s f*ck you, Dame.” Dame Dash has yet to respond publicly to 50 Cent’s rebuke. The evolving dynamic among these three influential figures underscores the complexities of personal feuds within the entertainment world. While the prospect of collaboration remains, any future partnership is likely to confront significant hurdles. View this post on Instagram A post shared by 50 Cent (@50cent)