According to Rolling Stone, Clipse are among the 14 artists who “met the moment,” earning a spot on the outlet’s inaugural “Voices Of The Year” list. “Amid fraught and fractured times, the world is hungry for inspiration, and these musicians, writers, actors, comedians, and broadcasters delivered,” the outlet said. Back in July, after almost two decades, the rapping duo—comprised of brothers, Pusha T and Malice—reunited to drop off their fourth studio album, Let God Sort Em Out. Upon its release, Let God Sort Em Out put the hip-hop genre at a standstill with all eyes on the Virginia natives. The project would go on to receive critical acclaim and debut at No.4 on the Billboard 200. “…It’s an album of startling maturity and vulnerability from a duo once more accustomed to boasting; and perhaps most of all, it’s a must-listen, endlessly replayable set of songs from two seasoned veterans working in a genre that often prizes youth,” the outlet wrote. PHILADELPHIA, PENNSYLVANIA – JUNE 01: Pusha T and No Malice of Clipse perform during Roots Picnic 2025 at The Mann at Fairmount Park on June 01, 2025 in Philadelphia, Pennsylvania. (Photo by Taylor Hill/Getty Images for Live Nation Urban) “We’re perfectionists almost to a fault sometimes,” Pusha T tells Rolling Stone For the two brothers, the project wasn’t just about bringing lyricism back into the genre, but “slamming the door on ageism in hip-hop,” Malice tells RS. He added, “That’s a stigma that probably never should have existed, and hopefully that’s done away with.” For Pusha T, the response to the project is a “testament” to how the two “look at music.” Pusha continued, “We’re perfectionists almost to a fault sometimes, but we know what we want, and I think it translated.” The elder of the two, Malice, also spoke about reuniting with his brother after taking a brief hiatus to embrace his spirituality. “It’s great to be back with my brother,” Malice says. “The level that he has kept our legacy alive — the professionalism, the taste level, just being top-tier — it made it a real nice place for me to be able to land at. To have him save a seat for me all this time the way he did is an amazing thing.”

The years-long rivalry between 50 Cent and Dame Dash reignited recently. This occurred after 50 Cent delivered a holiday-themed jab targeting Dash’s dental appearance. The feud, shaped by repeated public spats and unsuccessful attempts at reconciliation, escalated when 50 Cent took to Instagram. He called Dash a “clout-chaser.” Dash responded swiftly, drawing attention to 50 Cent’s pattern of criticizing fellow Black artists. This was especially in light of his upcoming Sean “Diddy” Combs docuseries, set to premiere December 2. In a pointed Instagram post, Dash accused 50 of “tearing down” another Black man for profit. He wrote, “Never trust a Black man that will make a documentary tearing down another Black man for a white man… that’s nasty work.” Dash’s comments sparked a broader conversation about how Black figures are portrayed in the entertainment industry. Adding another layer to the tension, Dash shared photos of 50 Cent photographing his former girlfriend, Daphne Joy, on the beach. This reference intertwines personal history with rumors about her connection to Combs. It further intensifies the dispute. View this post on Instagram 50 Cent Opens Door to Dash Amid Diddy Tensions In a surprising move, 50 Cent acknowledged some validity in Dash’s critique. He stated, “I agree with Dame [100] percent it’s better to work together.” He suggested exploring potential collaboration. However, this conciliatory gesture was tempered by his dismissal of Dash’s complaints. He cited past derogatory remarks from Cam’ron toward Dash. The feud stretches beyond personal insults, touching on unresolved criticism of both Dash and Diddy. It raises questions about why prominent figures, including Jay-Z, have largely remained silent amid public allegations. With 50 Cent’s docuseries approaching, fans and industry observers are watching closely. They are keen to see how Diddy’s legacy will be portrayed, highlighting the complex web of personality, influence, and controversy that continues to define hip-hop culture.

In a landmark moment for Detroit sports and music, Eminem and Jack White shared the stage for the first time during the Detroit Lions’ Thanksgiving Day halftime show against the Green Bay Packers. The performance united two of the city’s most celebrated musicians in a collaboration that sent the stadium into a frenzy. Eminem, a lifelong Lions supporter, partnered with his manager, Paul Rosenberg, to orchestrate the event. Fans were treated to Jack White’s powerful set, featuring a mix of his iconic solo work and hits from his time with The White Stripes. The crowd’s energy reflected a celebration of Detroit’s enduring musical influence. The show reached new heights when Eminem made a surprise entrance, marking the pair’s first-ever performance together. Billboard coverage noted a seamless transition from White’s emotive “That’s How I’m Feeling” into a mashup pairing Eminem’s “Till I Collapse” with White’s “Hello Operator.” Social media clips quickly circulated, capturing the audience’s rapturous reaction to the historic collaboration. Eminem joins Jack White on stage for the NFL Thanksgiving Halftime Show! pic.twitter.com/gtIkusVtWR — TSN (@TSN_Sports) November 27, 2025 Eminem and White Rock Ford Field White intensified the energy with his anthem “Seven Nation Army,” reinforcing its status as a stadium classic. For many attendees, the performance offered more than entertainment—it provided a welcome break from the usual celebrity controversies surrounding Eminem, including ongoing copyright disputes. Rosenberg highlighted the significance of the collaboration, saying, “It’s an honor for us to team up with the Lions and be a part of the greatest tradition in Detroit sports. We look forward to putting together unforgettable shows featuring world-class artists for the fans at Ford Field and the tens of millions watching around the country.” Plans are already in motion for additional high-profile halftime events through 2027. Both artists recently celebrated inductions into the Rock and Roll Hall of Fame—Eminem in 2022 and White this year. During White’s ceremony, André 3000 delivered a heartfelt tribute, underscoring the close-knit connections within the music community.

Timbaland sparked a new chapter in the industry’s AI debate after responding to a viral clip of Kehlani questioning the rise of artificial intelligence in music. Under a Genius Instagram post shared on November 25, the superproducer left a sharp message that quickly drew attention: “The future is a choice. You make between extinction and evolution.” timbaland hopped in the comments of our post yesterday to respond to kehlani’s criticisms of AI “artists” the grammy-winning producer doubled down on his support of AI with a matrix meme stating: “the future is a choice you make between extinction and evolution” timbaland… pic.twitter.com/Ab7Otw7PSX — Genius (@Genius) November 26, 2025 The line, styled like a Matrix-inspired meme and attributed to the “World Economic Quorum,” read less like a clapback and more like a challenge to artists figuring out how to survive the next era of creativity. The comment arrived after Kehlani expressed deep frustration with AI during an interview with Real 92.3. The singer made clear that the technology’s growing presence feels more threatening than inspiring. “Why am I competing with a computer?” she asked, pointing to what she sees as a shift that undervalues human emotion and skill. She later expanded her concerns to include the people behind the scenes—the workers whose contributions rarely receive public credit but remain essential to a finished record. “What about the mixing engineers? About the producers? What about the instrumentalists? What about the people that you call to make the cover art?” she said. Timbaland Comments On Kehlani’s A.I. Issues For Kehlani, AI doesn’t just challenge artists. It pressures every craftsperson who helps shape an album’s identity, from the soundboard to the artwork. Timbaland, who has become one of the most visible producers experimenting with AI tools, positioned his comment as a broader statement about adaptation. His message didn’t attack Kehlani. Instead, it offered a contrasting philosophy. To him, technology isn’t an enemy. It’s a force musicians will eventually need to integrate into their workflow. By framing the industry’s future as a choice “between extinction and evolution,” he signaled that refusing change may be more dangerous than embracing it. Their exchange underscores a fault line running through today’s R&B and hip-hop communities. Kehlani represents the camp protective of tradition, craftsmanship, and the emotional resonance that comes from real human labor. Timbaland represents the camp betting that AI can enhance creativity rather than erase it. Both speak to different fears and different hopes: Kehlani fears the disappearance of nuance and livelihood; Timbaland fears the cost of refusing innovation. What played out beneath a single Instagram post reflects a conversation happening across studios and group chats everywhere. AI isn’t slowing down. Kehlani warns of what could be lost. Timbaland points toward what could be gained. And the rest of the industry is left deciding which version of the future it’s willing to claim.

Nearly three decades after its release, Lil’ Kim’s groundbreaking debut album Hard Core continues to influence hip-hop culture—this time earning the distinction of being ranked the best hip-hop album cover of all time by Billboard. View this post on Instagram Released in 1996, Hard Core arrived during a pivotal moment in hip-hop, when female rappers were still fighting for space, visibility, and creative autonomy. Lil’ Kim stepped into the spotlight with a bold aesthetic that refused to be defined by the industry’s expectations. The album’s cover—featuring Kim confidently posed in a leopard-print lingerie set—was a direct challenge to traditional portrayals of women in rap. It was daring, glamorous, and unapologetically sexual, but also deeply empowering. Kim wasn’t simply participating in the narrative—she was writing it. The ranking underscores the cover’s longstanding impact on fashion, photography, and hip-hop marketing. Critics and fans alike credit Hard Core with shifting how female artists could present themselves: powerful, sensual, and in full control of their image. Beyond its imagery, the cover symbolizes a broader cultural movement. Hard Core challenged gender norms, redefined femininity in rap, and pushed boundaries in a way that still resonates today. The album not only cemented Lil’ Kim as a trailblazer but also set a precedent for creative risk-taking across the industry.

Even behind bars, Kay Flock hasn’t forgotten the Bronx. In an exclusive HOT97 interview, the rapper opened up about organizing a Thanksgiving turkey drive for families in need, while his mother, Momma Flock, has been the bridge between his vision and the community he grew up in. “This week is all about giving back and blessings,” Kay Flock said. “Thanksgiving is coming, and I want to give back to my community and help out as much as I can.” Momma Flock smiled as she recalled the conversation: “He wants to make sure the shelters always have what they need. He’s seen the struggles, and he remembers what it’s like to need help.” “All of the blessings I’ve been receiving, it’s only right to give it back to those who need it most,” Kay added. “I know a lot of families out there who are struggling, and I know the struggle myself, so I want to do everything in my power to give back. As long as I can, I’ll always look out for my community.” Kay Flock: Music Meets Community in the Bronx Even from prison, he is hands-on. He coordinates the event through phone calls, social media, and the support of his family. “I have to give thanks to my mother and my family—they’ve always supported me tremendously,” Kay said. “They helped me arrange this event. I feel that events like this help bring everyone together.” Momma Flock adds, “He’s always been that way—helping people carry groceries, moving things, anything someone needed. Even neighbors he didn’t know. One neighbor said, ‘Oh my god, your son is such a blessing. You don’t even know him, and he’s helping me.’ That’s who he is.” For Kay, music and community work are inseparable. “He keeps moving forward and wants to help others do the same. The better you do, the better you get. The worse you do, the worse you get,” Momma Flock explained. Collaborations with artists like Cardi B have inspired him further. “She’s amazing, so friendly, so down to earth. Her working with my son was incredible. He’s inspired by seeing people from our neighborhood give back and lift others.” Kay Flock Eyes Bronx Legacy, Promises Support and Hope for Youth Looking ahead, Kay envisions a lasting impact on the Bronx. “He’s always talking about ways to help young kids, using his experiences to make a change,” Momma Flock said. “Once he’s out, he wants to own a space for youth, be there every day, talk to them, make sure they know they have support.” Kay added a personal message to the community: “Stay positive. Stay prayed up. Stay humble with the outcome of the situation and keep the vibes high. I love y’all!” Legal advocate Allen DeWane emphasized the significance of these efforts: “If he can do this from behind bars, just imagine what he’s going to be able to do when he’s released. He’s thinking about what’s best for our society—and for the kids who need guidance and hope.” Momma Flock summed it up perfectly: “He’s loving. He wants everybody to win. He’s grown, he’s learned, and he wants the world to be a better place.” From his Bronx roots to this Turkey Drive, Kay Flock’s dedication to his community is clear—and for those who know him, it’s only the beginning.

On Tuesday, cultural leaders, lawmakers, and music heavyweights gathered to launch the Jamaica Strong Relief Concert. This is a sprawling effort to support the island’s recovery after Hurricane Melissa. The hurricane caused nearly $9 billion in damage and displaced more than a million people. The event, hosted by the Irie Jam Foundation, showed how deeply the storm’s aftermath has resonated across New York’s Caribbean communities. Shaggy, who will headline the December 12 benefit at UBS Arena alongside Sean Paul and other major artists, said the urgency of the moment left little time for the usual long-range planning. Yet, there was no hesitation. “We are the culture. We are Jamaica,” he said. “Some of your favorite artists wanted to be here today, but this came together so quickly that a lot of them already had commitments. Even if they can’t stand on the stage that night, they’re supporting this in every way they can. And honestly, Jamaica is the biggest artist on this show. Jamaica is the star we’re all showing up for.” Organized by the Irie Jam Foundation, Jammins Events, Roadblock Radio, and the Shaggy Make a Difference Foundation, the concert aims to fund housing assistance, medical relief, and long-term rebuilding across regions hit hardest by the October 21 storm. The lineup—expected to include reggae, dancehall, and crossover acts—reflects what organizers called a “cultural duty” to respond. View this post on Instagram Congresswoman Yvette Clarke Urges Immediate U.S. Support for Jamaica Congresswoman Yvette Clarke, whose Brooklyn district includes one of the country’s largest Jamaican diasporic communities, said the event offers something traditional policy channels often can’t: immediacy. “It’s incredibly important that cultural leaders and government leaders work side by side,” Clarke told HOT 97 after the conference. “We can take what we hear from our constituencies straight to the State Department. We can push them to meet the moment. Jamaica has always been an ally of the United States, and so many Americans consider it a second home. Seeing the island struggle like this has moved people deeply.” Clarke said the devastation in places like Montego Bay and Negril has only intensified the need for technical and financial support from the U.S. She added that benefit events help maintain national attention long after the headlines fade. “My hope is that this concert—and others like it—keep galvanizing people to give, to stay engaged, and to stand with the people of Jamaica through the long recovery ahead,” she said. As organizers repeated throughout the afternoon, the message was simple. Rebuilding is a global effort, and New York is determined to lead.

Jimmy Cliff, one of reggae’s most transformative figures, has died at 81. His wife, Latifa Chambers, shared the news on his official Instagram page. She said he passed away after complications from a seizure and pneumonia. Her announcement marked the end of a career that helped carry Jamaican music from Kingston dancehalls to stages across the world. Chambers thanked fans, family, and colleagues who supported Cliff throughout his life. “I want to thank everyone who has shared in his legacy. To his fans across the globe, your unwavering support was a source of strength throughout his entire career,” she wrote alongside a photo of the artist. She also expressed gratitude for the medical team who cared for him. Additionally, she asked for privacy as the family mourns. Cliff’s work shaped reggae’s evolution and global reach. With songs like “You Can Get It If You Really Want” and “The Harder They Come,” he helped define a sound that resonated far beyond Jamaica. His achievements earned him a place in the Rock and Roll Hall of Fame in 2010. He also received the Jamaican Order of Merit, one of the country’s highest honors. Tributes poured in from across the Caribbean and beyond. Jamaican Prime Minister Andrew Holness wrote, “Jimmy Cliff was a true cultural giant whose music echoed the spirit of our nation around the world.” He credited Cliff with bringing joy during difficult moments. Additionally, he inspired national pride through the force of his work. Fans responded with their own memories online. One message read, “An absolute legend, the soundtrack to my childhood. Big love, Jimmy!” Another added, “Honorable. Greatness personified. Rest in Powa. Sun Power.” View this post on Instagram The Artist Behind the Music Cliff’s influence extended into film, most notably through his role in the 1972 classic The Harder They Come, which introduced international audiences to both reggae and Jamaican storytelling. The film became a touchstone for artists exploring the connection between music, identity, and social change. Born in rural Jamaica, Cliff began singing and writing songs as a teenager. He channeled themes of perseverance and determination into his music. His catalog became an anthem book for generations looking for hope, resolve, and a sense of belonging. Though he is no longer here, his voice remains—still circulating through speakers, still shaping new artists. He continues carrying the energy of a man who believed music could move people toward something better. As his family reflects on his life, they invite fans to celebrate the work he left behind. They remember an artist whose songs bridged continents and lifted spirits across decades.

Tasha K publicly challenged Ja Rule on X (formerly Twitter) over a reported assault at a concert featuring Brandy and Monica. While Ja Rule insisted he was uninjured, Tasha K accused him of cowardice, tweeting, “@Jarule, you’re a coward! @TMZ you’ve been complicit too! You have media outlets accusing me of dishonesty, only for you to admit you acted from a place of cowardice while being assaulted. That’s why your face looks unscathed!” She also linked the episode to Ja Rule’s long-standing feud with 50 Cent, noting his readiness to confront her while remaining silent about ongoing provocations from the rap mogul. “You’re eager to engage with me, but haven’t uttered a word to @50cent, who mocks you daily!” she added. View this post on Instagram Denials and Legal Tensions Ja Rule responded with a video disputing her account: “Why do you persist in misleading the public, Tasha? Yes, there were certain individuals looking to ambush me. However, that didn’t occur at the concert, and I’m relaxing at home without a scratch…” He also hinted at possible legal action. Tasha K fired back sharply: “Why do you street folk always resort to legal threats? Ja Rule, are you leveraging legal intimidation as a tool? That doesn’t frighten me. I’ve faced litigation before, and it’s amusing how you champions of the streets resort to ‘I’m suing’ rhetoric.” She stressed that her reporting was based on reliable sources and dismissed any connections to Max B.

At the storied Chateau Marmont, Malice and Pusha T reemerged before a crowd of artists, executives, and longtime admirers during the 2025 GQ Men of the Year gala. The evening carried a sense of occasion, marking not only their presence on a major stage but also the long-awaited return of the Thornton brothers as Clipse with their album Let God Sort Em Out. Momentum has been building around the duo, fueling talk of potential Grammy recognition and renewed interest in their legacy. Their comeback arrives after years of divergent paths—Pusha T releasing a steady run of solo music and Malice stepping back from the industry to pursue a spiritual shift. Now reunited, they appear determined to shape a new chapter together. During a recent conversation with Rolling Stone, Malice pushed back against the idea that their return would be brief. The question held weight, given the long gap since Til The Casket Drops and the uncertainty surrounding new work. But his response left no room for doubt. “Not a chance,” he said, his voice firm. “Listen, we just got here, man. There’s so much more to come.” While a timeline for their next release remains unannounced, a Zoom call from their Virginia Beach studio with writer Simon Vozick-Levinson hinted that fresh material is already in motion. With the acclaim surrounding Let God Sort Em Out still rising, fans have reason to expect more activity soon. Malice reiterates that fans won’t be waiting another 16 years for new Clipse music “No way. Listen, we just got here, man. There’s plenty more.” (via Rolling Stone) pic.twitter.com/5zGLsAf1gE — Kurrco (@Kurrco) November 21, 2025 Reclaiming Identity and Creative Direction Speaking with The Hollywood Reporter, Malice reflected on his evolution and his decision years ago to briefly perform as No Malice. “As my beliefs and heart evolved over time, I wanted to demonstrate that there was nothing harmful about me regarding bringing negativity or malice into anything,” he said. But reuniting with Pusha T prompted a return to the name that defined their earliest success. “We owe it to ourselves and our fans to maintain our original branding. Clipse will always be Clipse,” he added. With a tour ahead, the brothers are preparing to bring their latest work to the stage. Three final dates are set for December 2025—two in Virginia Beach and one in Brooklyn—before they head into a busy festival season that includes Coachella and All Points East next year.